Waterloo Architecture
7 Melville Street South
Cambridge, Ontario, Canada
N1S 2H4
architecture@uwaterloo.ca
Tuesday, June 19, 2018 — 4:00 PM EDT
Of the thesis entitled: I Went for a Drive
Abstract:
The place is a Tower much like the ones in Cambridge I’ve been so fascinated by, the ones I’m drawn to when I need a break.
Tuesday, June 19, 2018 — 1:00 PM EDT
Of the thesis entitled: In the Shadow of the Wall | An Entrance into the Lives of Displaced Palestinians
Monday, June 18, 2018 — 6:30 PM EDT
Please join us at the launch of Andrew Levitt’s new book "Listening to Design" published by Reaktion Books, London.
As well as this event, there will also be a book launch in Toronto at Swipe Design - 401 Richmond Street West from 6-8 PM, Wednesday June 6th.
All are welcome!
Thursday, June 14, 2018 — 11:00 AM to 1:15 PM EDT
Can architecture respond to you, and feel, and care? Can it start, in primitive ways, to come alive? Find out how the collaboration between and Philip Beesley and the Living Architecture Systems group merges innovative structure, chemistry, artificial intelligence and immersive soundscapes into a visually stunning interactive environment. Philip will share examples from numerous international projects, and will reveal how his own vision has been transformed by working with the intimate dimensions of clothing in collaborations with Iris van Herpen.
Saturday, June 2, 2018 — 10:00 AM to Monday, October 8, 2018 — 5:30 PM EDT
Iris van Herpen: Transforming Fashion
Monday, April 16, 2018 — 6:30 PM to Saturday, June 2, 2018 — 4:00 PM EDT
To mark Waterloo Architecture’s 50th Anniversary, our annual Projects Review will be integrated with the Questioning the Canon exhibition at Design at Riverside, with additional simultaneous displays and events throughout the architecture school and off-site at Bridge.
Sunday, June 25, 2017 — 10:00 AM to Sunday, September 30, 2018 — 5:30 PM EDT
An examination of the chilling role architecture played in constructing Auschwitz.
The Evidence Room is a powerful installation which reconstructs key objects used in the forensic analysis of the architecture of Auschwitz. Historian Robert Jan van Pelt introduced the objects as evidence in a court case to demonstrate that Auschwitz was purposefully designed as a death camp.