<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Annik Bilodeau</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Mario Vargas Llosa: el intelectual peruano en la era de la globalización.</style></title><secondary-title><style face="normal" font="default" size="100%">Revista de crítica literaria latinoamericana (RCLL)</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2018</style></year></dates><pages><style face="normal" font="default" size="100%">221-234</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;
	&lt;span style=&quot;line-height:200%&quot;&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;line-height:200%&quot;&gt;This paper &lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;line-height:200%&quot;&gt;analyzes &lt;i&gt;El Paraíso en la otra esquina&lt;/i&gt; (2003), a historical novel that traces the socialist and nationalist trajectories of major figures of the nineteenth century. Vargas Llosa’s notion of global citizenship is far from communist or socialist articulations, and emphasizes his well-known liberal positions. My reading shows that the parallel trajectories of Flora Tristán and Paul Gauguin end tragically due to their ideological shortcomings. I contend that Vargas Llosa re-writes the Latin American historical novel by deterritorializing it, that is, by introducing figures and histories that transcend the continent&lt;/span&gt;. &lt;span lang=&quot;EN-GB&quot; style=&quot;line-height:200%&quot;&gt;His re-articulation of this literary genre allows him to discuss contemporary ideas &lt;/span&gt;brought about by the era &lt;span lang=&quot;EN-GB&quot; style=&quot;line-height:200%&quot;&gt;of globalisation, and tackle present-day issues. &lt;/span&gt;&lt;/span&gt;
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