<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>10</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Annik Bilodeau</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">El grafiti de tema político: La Argentina de Kirchner a Macri.</style></title><secondary-title><style face="normal" font="default" size="100%">Perspectivas Multidisciplinarias sobre la Argentina Contemporánea</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2019</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">https://en.calameo.com/read/001222612dccca8213c0d</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Universidad nacional de Río Negro, Universidad nacional de Mar del Plata y Universidad nacional de Córdoba (Joint Edition)</style></publisher><pub-location><style face="normal" font="default" size="100%">Perspectivas Multidisciplinarias sobre la Argentina Contemporánea, International Conference, University of Ottawa, Ottawa, ON</style></pub-location><pages><style face="normal" font="default" size="100%">297-314</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p style=&quot;text-align:justify&quot;&gt;
	&lt;span lang=&quot;EN-GB&quot;&gt;&lt;span style=&quot;NewRoman&amp;quot;&quot;&gt;&lt;span style=&quot;font-weight:normal&quot;&gt;In Argentina, street art, while often at the forefront of recent political change, only became a means to express political opinions rather late when compared to other countries—indeed, until the 1990s, governments made sure that the street was not a space for citizens to freely express themselves. This situation changed after the 2001 financial crisis, when the Argentineans reappropriated the streets; political street art and murals, often commissioned by political parties themselves, then became a staple of Argentinean streets. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;p style=&quot;text-align:justify&quot;&gt;
	&lt;span lang=&quot;EN-GB&quot;&gt;&lt;span style=&quot;NewRoman&amp;quot;&quot;&gt;&lt;span style=&quot;font-weight:normal&quot;&gt;In this paper, I explore the use of street art in Argentina as a means to spur political change. I briefly trace the evolution of street art—the 1968 Tucumán Arde, the 1983 &lt;i&gt;siluetazo&lt;/i&gt;, and the stencil movement that followed the 2001 financial crisis, amongst others—to then concentrate on more recent examples of street art tied to the Kirchner era (2003-2015) and to Macri. Whereas street art produced by the youth organization La Cámpora is part of a bigger project to create a visual legacy for late president Kirchner, tags and murals that depict Macri serve to criticize him and his politics.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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