<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Des lieux réels aux espaces imaginaires : une lecture géopoétique de l&amp;rsquo;œuvre de Robert Dickson</style></title><secondary-title><style face="normal" font="default" size="100%">Robert Dickson. Écrire en temps de paix relative</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2019</style></year></dates><edition><style face="normal" font="default" size="100%">Lucie Hotte et Johanne Melançon (dir.)</style></edition><publisher><style face="normal" font="default" size="100%">Sudbury, Prise de parole, Coll. &quot;Agora&quot;</style></publisher><pages><style face="normal" font="default" size="100%">151-185</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Entre Kalamazoo et Escanaba : Vivre à Poets&amp;rsquo; Corner de Marcel Labine </style></title><secondary-title><style face="normal" font="default" size="100%">Voix &amp; Images</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2019</style></year></dates><volume><style face="normal" font="default" size="100%">133</style></volume><pages><style face="normal" font="default" size="100%">49-62</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">Automne</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Entropie du terrain vague. Le Sudbury de Thierry Dimanche </style></title><secondary-title><style face="normal" font="default" size="100%">Imaginaire du terrain vague</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2019</style></year></dates><edition><style face="normal" font="default" size="100%">Élise Lepage et Isabelle Miron (dir.)</style></edition><publisher><style face="normal" font="default" size="100%">Trois-Rivières, Le Sabord</style></publisher><pages><style face="normal" font="default" size="100%">151-165</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Imaginaire de la catastrophe. Une lecture écopoétique de La carte des feux de René Lapierre</style></title><secondary-title><style face="normal" font="default" size="100%">Études littéraires</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2019</style></year></dates><volume><style face="normal" font="default" size="100%">48</style></volume><pages><style face="normal" font="default" size="100%">97-113</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">3</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Émergence d&amp;rsquo;une subjectivité des confins. Les premiers recueils de François Turcot </style></title><secondary-title><style face="normal" font="default" size="100%">Géopoétique des confins</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2018</style></year></dates><edition><style face="normal" font="default" size="100%">Rachel Bouvet et Rita Olivieri-Godet (dir.),</style></edition><publisher><style face="normal" font="default" size="100%">Rennes, Presses Universitaires de Rennes</style></publisher><pages><style face="normal" font="default" size="100%">127-147</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Le chronotope du jardin. Temporalité et lieu dans Racines de neige d&amp;rsquo;Andrée Christensen </style></title><secondary-title><style face="normal" font="default" size="100%">L’espace-temps dans les littératures périphériques du Canada</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2018</style></year></dates><edition><style face="normal" font="default" size="100%">Ariane Brun Del Re, Isabelle Kirouac-Massicotte et Mathieu Simard (dir.)</style></edition><publisher><style face="normal" font="default" size="100%">David</style></publisher><volume><style face="normal" font="default" size="100%">Coll. &quot;Voix savantes&quot;</style></volume><pages><style face="normal" font="default" size="100%">39-61</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Paul Malenfant, fenêtres sur l&amp;rsquo;intérieur </style></title><secondary-title><style face="normal" font="default" size="100%">Sensorielles. Autour de Paul Chanel Malenfant</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2018</style></year></dates><edition><style face="normal" font="default" size="100%">Jacques Paquin et Vincent Lambert (dir.)</style></edition><publisher><style face="normal" font="default" size="100%">Montréal, Le Noroît, Coll. &quot;Chemins de traverse&quot;</style></publisher><pages><style face="normal" font="default" size="100%">55-75</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Élise Lepage</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Esquisse des chemins de la création chez Robert Melançon et Jacques Brault</style></title><secondary-title><style face="normal" font="default" size="100%">Nouvelle Revue Synergies Canada</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2017</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2017</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">10</style></volume><pages><style face="normal" font="default" size="100%">1-11</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Du pays au paysage : La poésie québécoise en perspective depuis 1950 </style></title></titles><dates><year><style  face="normal" font="default" size="100%">2016</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Le projet «&amp;nbsp;Du pays au paysage&amp;nbsp;» examine comment la poésie du pays des années 1950-1960 a peu à peu cédé la place à diverses poétiques contemporaines qui interrogent désormais non plus le pays, mais ses paysages. Comment ce déplacement d’enjeux s’est-il effectué? Quelles significations lui attribuer?&lt;/p&gt;&lt;p&gt;Fondé sur une approche intermédiale, ce projet fera dialoguer œuvres visuelles et recueils de poèmes portant sur les paysages contemporains, que ce soit ceux que l’ère postindustrielle place chaque jour sous nos yeux, devant nos fenêtres ou dans nos rétroviseurs, ou au contraire les paysages recherchés, rêvés, (sur)protégés qui relèvent d’autres sphères (l’enfance, l’archéologie familiale, le tourisme et les loisirs, un engagement en faveur de causes environnementales, etc.)&lt;/p&gt;&lt;p&gt;Les articulations entre arts visuels et poésie se feront donc sur fond de discours environnemental, de réflexion sur les différents espaces d’appartenance dans lesquels s’inscrit la subjectivité (le quartier, la ville, la région, la province, la continentalité, etc.).&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</style></abstract></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Gaston Miron</style></title><secondary-title><style face="normal" font="default" size="100%">The Literary Enclyclopedia</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2016</style></year><pub-dates><date><style  face="normal" font="default" size="100%">Jan 2016</style></date></pub-dates></dates><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Géographie des confins. Espace et écriture chez Pierre Morency, Pierre Nepveu et Louis Hamelin</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2016</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.archambault.ca/lepage-elise-geographie-des-confins-espace-et-ecriture-chez-pierre-morency-pierre-nepveu-et-louis-hamelin-ACH003812344-fr-pr</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">David</style></publisher><pub-location><style face="normal" font="default" size="100%">Ottawa</style></pub-location><pages><style face="normal" font="default" size="100%">315</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Gilles Lacombe</style></title><secondary-title><style face="normal" font="default" size="100%">The Literary Encylopedia</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2016</style></year><pub-dates><date><style  face="normal" font="default" size="100%">April 2016</style></date></pub-dates></dates><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Lucie Hotte</style></author><author><style face="normal" font="default" size="100%">François Ouelle</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">L&amp;#39;accueil, la confiance dans l&amp;#39;oeuvre d&amp;#39;Andrée Lacelle</style></title><secondary-title><style face="normal" font="default" size="100%">La littérature franco-ontarienne depuis 1996  Nouveaux enjeux esthétiques</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2016</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.prisedeparole.ca/2016/03/09/vient-de-paraitre-la-litterature-franco-ontarienne-depuis-1996/</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Prise de parole</style></publisher><pub-location><style face="normal" font="default" size="100%">Sudbury</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;Ce chapitre propose une étude critique de trois récents recueils de poèmes d’Andrée Lacelle – La vie rouge (1998), La lumière et l’heure (2004) et Demain l’enfance (2011).&amp;nbsp;&lt;/p&gt;</style></abstract></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>12</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Cadrages contemporains sur les paysages des littératures francophones du Canada</style></title><secondary-title><style face="normal" font="default" size="100%">Temps zéro</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2015</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">10</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Le devenir paysager. De quelques paysages postindustriels entre arts visuels et poésie</style></title><secondary-title><style face="normal" font="default" size="100%">Journal of Canadian Studies/Revue d'études canadiennes</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2015</style></year><pub-dates><date><style  face="normal" font="default" size="100%">Spring 2015</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">49</style></volume><pages><style face="normal" font="default" size="100%">106-132</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">2</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>12</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Le paysage chez Robert Melançon. Entre milieu citadin et scène baroque</style></title><secondary-title><style face="normal" font="default" size="100%">Temps zéro</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2015</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">10</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Louis Hamelin</style></title><secondary-title><style face="normal" font="default" size="100%">The Literary Enclyclopedia</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2015</style></year><pub-dates><date><style  face="normal" font="default" size="100%">Sept 2015</style></date></pub-dates></dates><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Les envers de la ville: de nouveaux paysages en poésie québécoise contemporaine, &amp;quot;Canadian Literary Ecologies&amp;quot;</style></title><secondary-title><style face="normal" font="default" size="100%">Studies in Canadian Literature / Études en littérature canadienne</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2014</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2014</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">39</style></volume><pages><style face="normal" font="default" size="100%">157-176</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">René Audet</style></author><author><style face="normal" font="default" size="100%">Philippe Mottet</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Discrets éclats et éclat de la discrétion dans les nouvelles de Christiane Frenette</style></title><secondary-title><style face="normal" font="default" size="100%">Portrait d'une pratique vive La nouvelle québécoise contemporaine (1995-2010) </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2013</style></year></dates><publisher><style face="normal" font="default" size="100%">Éditions Nota bene</style></publisher><pub-location><style face="normal" font="default" size="100%">Montréal </style></pub-location><pages><style face="normal" font="default" size="100%">149-172</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%"> &amp;laquo; &amp;laquo; Faire avec ce qu&amp;rsquo;il y a &amp;raquo; : l&amp;rsquo;humilité du poème chez Michael Delisle &amp;raquo;</style></title><secondary-title><style face="normal" font="default" size="100%">Voix et Images</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2013</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2013</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">38</style></volume><pages><style face="normal" font="default" size="100%">31-45</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">3</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Élise Lepage</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Le réel chez Pierre Chatillon: de l&amp;#39;incarnation poétique à l&amp;#39;étoilement des langages artistiques</style></title><secondary-title><style face="normal" font="default" size="100%"> « À nous demain : Les Écrits des Forges de 1971 à aujourd’hui »</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2013</style></year></dates><pub-location><style face="normal" font="default" size="100%">Trois-Rivières</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Isabelle Miron</style></author><author><style face="normal" font="default" size="100%">David Courtemanche</style></author><author><style face="normal" font="default" size="100%">Marie Parent</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">&amp;laquo; La gerçure énorme &amp;raquo; de l&amp;rsquo;être à venir chez Yves Préfontaine</style></title><secondary-title><style face="normal" font="default" size="100%">L’expérience américaine du corps. Sens et sacré en littérature québécoise moderne</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2012</style></year></dates><publisher><style face="normal" font="default" size="100%">l’Université du Québec</style></publisher><pub-location><style face="normal" font="default" size="100%">Montréal </style></pub-location><volume><style face="normal" font="default" size="100%">30</style></volume><pages><style face="normal" font="default" size="100%">43-58</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>27</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Permanence de la fissure [Patrice Desbiens, Poèmes anglais: Le pays de personne: La fissure de la fiction]</style></title><secondary-title><style face="normal" font="default" size="100%">Canadian Literature</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2012</style></year></dates><edition><style face="normal" font="default" size="100%">212</style></edition><publisher><style face="normal" font="default" size="100%">Canadian Literature</style></publisher><pages><style face="normal" font="default" size="100%">145-145</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Écrire après...?, en collaboration avec Virginie Doucet</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2011</style></year><pub-dates><date><style  face="normal" font="default" size="100%">Sept 2011</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">6</style></volume><pages><style face="normal" font="default" size="100%">1-6</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">3</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">&amp;laquo; Aigre douceur de l&amp;rsquo;abandon des problématiques minoritaires chez Marc Prescott &amp;raquo;</style></title><secondary-title><style face="normal" font="default" size="100%">Dalhousie French Studies</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2011</style></year><pub-dates><date><style  face="normal" font="default" size="100%">automne 2011</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">94</style></volume><pages><style face="normal" font="default" size="100%">101-112</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">De la batture à l&amp;#39;écriture: les Histoires naturelles du Nouveau Monde de Pierre Morency</style></title><secondary-title><style face="normal" font="default" size="100%">Études littéraires</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2010</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">41</style></volume><pages><style face="normal" font="default" size="100%">121-132</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;Echoing the opposing paradigms of nature and culture prevalent in Québec literary works as identified by André Belleau and through Pierre Nepveu’s perspective in&amp;nbsp;&lt;em&gt;Intérieurs du Nouveau Monde&lt;/em&gt;, this article looks at Pierre Morency’s approach to reconciling nature and the written word in his poetical and naturalistic&amp;nbsp;&lt;em&gt;Histoires naturelles du Nouveau Monde&lt;/em&gt;. This trilogy often depicts the sea beds around Île d’Orléans, a surprising focus given today’s poetic output, yet one that allows both observing and learning, viewing and knowing. This focus also fosters the use of an approach to writing that goes beyond the simple dichotomy between nature and culture.&lt;/p&gt;</style></abstract><issue><style face="normal" font="default" size="100%">2</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>27</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Géographie littéraire. [Madeleine Ouellette-Michalska, Imaginaire sans frontières: Les lieux de l&amp;#39;écriture, l&amp;#39;écriture des lieux] </style></title><secondary-title><style face="normal" font="default" size="100%">Canadian Literature </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2010</style></date></pub-dates></dates><edition><style face="normal" font="default" size="100%">207</style></edition><publisher><style face="normal" font="default" size="100%">XYZ Éditeur</style></publisher><pages><style face="normal" font="default" size="100%">160-160</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>27</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Habiter la distance. Études en marge de La distance habitée [Lucie Hotte et Guy Poirier dir.]</style></title><secondary-title><style face="normal" font="default" size="100%">Érudit</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2010</style></date></pub-dates></dates><edition><style face="normal" font="default" size="100%">51 (3)</style></edition><publisher><style face="normal" font="default" size="100%">Prise de parole</style></publisher><pub-location><style face="normal" font="default" size="100%">Sudbury</style></pub-location><pages><style face="normal" font="default" size="100%">598-599</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>27</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">L&amp;#39;école du regard. Poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon [Antoine Boisclair]</style></title><secondary-title><style face="normal" font="default" size="100%">Érudit</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">09/2010</style></date></pub-dates></dates><edition><style face="normal" font="default" size="100%">51 (3)</style></edition><pub-location><style face="normal" font="default" size="100%">Montréal </style></pub-location><pages><style face="normal" font="default" size="100%">590-591</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">&amp;laquo; Échos &amp;raquo; et &amp;laquo; brèches &amp;raquo; dans la poésie de Louis-Jean Thibault</style></title><secondary-title><style face="normal" font="default" size="100%">Revue de Critique et de Théorie Littéraire </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">automne 2010</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">6</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;In the 1960s, a generation of poets put into words the country (&lt;em&gt;pays&lt;/em&gt;) they were hoping for. Yet this land not beingaccomplished nor clearly defined, this poetry was confined to abstraction, evoking the “soul” of inexpressible landscapes.&amp;nbsp;However, it seems that a few contemporary poets share thisambition of writing the world that&lt;em&gt;&amp;nbsp;geo-graphy&amp;nbsp;&lt;/em&gt;is. This paperexplores the resurgence of the representation of the landscapein two collections by Louis-Jean Thibault and how his poetry is&amp;nbsp;an “echo” to&amp;nbsp;la &lt;em&gt;poésie du pays&lt;/em&gt;, while highlighting how he also&amp;nbsp;“breaches” this tradition.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</style></abstract><issue><style face="normal" font="default" size="100%">3</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Nancy Huston, empreintes et failles d&amp;rsquo;une mémoire sans frontières</style></title><secondary-title><style face="normal" font="default" size="100%">Francophonies d'Amérique </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2010</style></date></pub-dates></dates><pages><style face="normal" font="default" size="100%">79-95</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;&lt;em&gt;L’empreinte de l’ange&lt;/em&gt;&amp;nbsp;(1998) and&amp;nbsp;&lt;em&gt;Lignes de faille&lt;/em&gt;&amp;nbsp;(2006), two novels by Nancy Huston, deal with several major conflicts of the 20th century, while introducing narrators and characters of various origins. This paper studies how these “romans mémoriels” question a pluralistic memory and intertwined—sometimes conflicting—narratives. By her choice of representing tragedies which affected very different peoples, Nancy Huston seems to suggest that none belongs to a national memory, but that all take part into an international memory undertaken by a “littérature-monde” released of its boundaries and national belonging criterion.&lt;/p&gt;</style></abstract><issue><style face="normal" font="default" size="100%">29</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Denise Brassard</style></author><author><style face="normal" font="default" size="100%">Evelyne Gagnon</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Pierre Nepveu, une poésie du sens du lieu </style></title><secondary-title><style face="normal" font="default" size="100%">États de la présence. Les lieux d'inscription de la subjectivité dans la poésie québécoise actuelle</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year></dates><publisher><style face="normal" font="default" size="100%">\les Éditions XYZ</style></publisher><pub-location><style face="normal" font="default" size="100%">Montréal </style></pub-location><pages><style face="normal" font="default" size="100%">49-63</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>27</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Poésie en trombes, mode majeur [Pierre Nepveu, Les verbes majeurs. Pierre Ouellet, Trombes]</style></title><secondary-title><style face="normal" font="default" size="100%">Canadian Literature </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">automne 2010</style></date></pub-dates></dates><edition><style face="normal" font="default" size="100%">206</style></edition><pages><style face="normal" font="default" size="100%">174-175</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">De l&amp;#39;Utopie vers l&amp;#39;Éden: Le joueur de flûte de Louis Hamelin</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">De la domestication : la maison - le corps - le livre dans la poésie de Pierre Morency et de Pierre Nepveu</style></title><secondary-title><style face="normal" font="default" size="100%">Voix Plurielles</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year><pub-dates><date><style  face="normal" font="default" size="100%">Mai 2008</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">5</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Intertextualité dans la réception critique de la littérature québécoise au Canada anglais</style></title><secondary-title><style face="normal" font="default" size="100%">Québec Studies </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2008</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">45</style></volume><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">Introduction : La maison et le livre</style></title><secondary-title><style face="normal" font="default" size="100%">Voix plurielles</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year><pub-dates><date><style  face="normal" font="default" size="100%">Mai 2008</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">5</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">La maison et le livre, en collaboration avec Bertrand Bourgeois</style></title><secondary-title><style face="normal" font="default" size="100%">Voix plurielles</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year><pub-dates><date><style  face="normal" font="default" size="100%">Mai 2008</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">5</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">La mise en récit de l&amp;rsquo;histoire dans Monnè, outrages et défis et Quand on refuse on dit non d&amp;rsquo;Ahmadou Kourouma </style></title><secondary-title><style face="normal" font="default" size="100%">Analyses</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year><pub-dates><date><style  face="normal" font="default" size="100%">hiver 2008</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">3</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record></records></xml>