<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors></contributors><titles><title><style face="normal" font="default" size="100%">&amp;laquo; Échos &amp;raquo; et &amp;laquo; brèches &amp;raquo; dans la poésie de Louis-Jean Thibault</style></title><secondary-title><style face="normal" font="default" size="100%">Revue de Critique et de Théorie Littéraire </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year><pub-dates><date><style  face="normal" font="default" size="100%">automne 2010</style></date></pub-dates></dates><volume><style face="normal" font="default" size="100%">6</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;In the 1960s, a generation of poets put into words the country (&lt;em&gt;pays&lt;/em&gt;) they were hoping for. Yet this land not beingaccomplished nor clearly defined, this poetry was confined to abstraction, evoking the “soul” of inexpressible landscapes.&amp;nbsp;However, it seems that a few contemporary poets share thisambition of writing the world that&lt;em&gt;&amp;nbsp;geo-graphy&amp;nbsp;&lt;/em&gt;is. This paperexplores the resurgence of the representation of the landscapein two collections by Louis-Jean Thibault and how his poetry is&amp;nbsp;an “echo” to&amp;nbsp;la &lt;em&gt;poésie du pays&lt;/em&gt;, while highlighting how he also&amp;nbsp;“breaches” this tradition.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</style></abstract><issue><style face="normal" font="default" size="100%">3</style></issue></record></records></xml>