@inbook {36530, title = {The Forgotten World of Vienna\&$\#$39;s Interwar Comic Strips}, booktitle = {Comics|Histories: Texts, Methods, Resources}, year = {2024}, pages = {131-171}, publisher = {Rombach Wissenschaft}, organization = {Rombach Wissenschaft}, edition = {ed. Jessica Bauwens-Sugimoto, Felix Giesa and Christina Meyer} } @article {32279, title = {Time Gamers: The Failure of the \&$\#$39;New German Ast{\'e}rix.\&$\#$39;}, journal = {The Journal of Comics \& Culture}, volume = {7}, year = {2022}, pages = {47-70} } @inbook {25979, title = {Fl{\"u}chtlingscomics: Comics About / For / By Refugees--Across Cultures, or At Cross Purposes?}, booktitle = {Jahrbuch f{\"u}r Internationale Germanistik 141}, year = {2021}, pages = {63-78}, publisher = {Peter Lang}, organization = {Peter Lang}, edition = {ed. Andrea Speltz and Nikola von Merveldt} } @article {25980, title = {Truth, Justice...and the Austrian Way? Opposing Political Agendas, Duelling Sovereignties, and Austrian Superheroes}, journal = {Seminar}, volume = {56}, year = {2020}, pages = {345-67}, abstract = {The earliest comic-book superheroes became metonyms of the American nation-state at war; as a result, until recently superhero comics remained unpopular in German-speaking Europe, where their quasi-nationalist aspects and violent methods were reminiscent of fascism. The global success of superhero films, however, has promoted the acceptance of superhero comics and the introduction of homegrown equivalents in Germany and Austria. In the latter, superheroes have become proxies in the conflict between competing visions of national sovereignty. Both the far-right Freiheitliche Partei {\"O}sterreichs (FP{\"O}) and the Sozialdemokratische Partei have campaigned using superhero comic books; so too has the non-partisan {\"O}sterreichische Integrationsfonds. And now a commercial comic,\ Austrian Superheroes, portrays its heroes as outsiders in the service of a European Union depicted as a guarantor of order, rebuking the FP{\"O}{\textquoteright}s right-wing nativism.}, url = {https://doi.org/10.3138/seminar.56.3-4.07} } @article {25976, title = {\&$\#$39;You Are Leaving the French Sector\&$\#$39;: Flix\&$\#$39;s Spirou in Berlin and the Internationalization of German Comics}, journal = {International Journal of Comic Art}, volume = {21}, year = {2019}, pages = {28-51} } @inbook {25978, title = {Missing in Action: The Late Development of the German-Speaking Superhero}, booktitle = {The Superhero Symbol}, year = {2019}, pages = {253-72}, publisher = {Rutgers UP}, organization = {Rutgers UP}, edition = {ed. Angela Ndalianis, Ian Gordon, and Liam Burke} } @article {25977, title = {A Periphery Surrounded by Centres: The German-Language Comics Market, Transnational Relationships, and Graphic Novels}, journal = {Journal of Graphic Novels and Comics}, volume = {11}, year = {2019}, pages = {10-30}, url = {https://doi.org/10.1080/21504857.2019.1629606} } @article {7611, title = {Werbecomics at the Beginning of German Comics: Emmerich Huber and Josef Mauder}, journal = {Closure: Kieler e-Journal f{\"u}r Comicforschung}, volume = {4}, year = {2017}, pages = {7-27}, url = {http://www.closure.uni-kiel.de/closure4/malone} } @inbook {6199, title = {Kissing the Frog: Reframing Translation in the L2 Classroom}, booktitle = {Translation and Translating in German Studies: A Festschrift for Raleigh Whitinger}, year = {2016}, pages = {265-78}, publisher = {WLU Press}, organization = {WLU Press}, edition = {ed. John L. Plews and Diana Spokiene. With Barbara Schmenk } } @article {6198, title = {Mali And Werner\&$\#$39;s Mike: Underground Sensibility in a German Bank\&$\#$39;s Advertising Comic.}, journal = {International Journal of Comic Art }, volume = {18}, year = {2016}, pages = {14-35} } @inbook {6200, title = {Hybrides Spielfeld Manga: Adaption und Transformation japanischer Comics in Deutschland}, booktitle = {Nipponspiration: Japonismus und japanische Popul{\"a}rkultur im deutschsprachigen Raum}, year = {2013}, pages = {233-58}, publisher = {B{\"o}hlau Verlag}, organization = {B{\"o}hlau Verlag}, edition = {ed. Michiko Mae and Elisabeth Scherer} } @article {6205, title = {Transplanted Boys\&$\#$39; Love Conventions and Anti-\&$\#$39;Shota\&$\#$39; Polemics in a German Manga: Fahr Sindram\&$\#$39;s Losing Neverland}, journal = {Transformative Works and Cultures}, volume = {12}, year = {2013}, url = {http://journal.transformativeworks.org/index.php/ twc/article/view/434} } @inbook {6201, title = {Transcultural Hybridization in Home-Grown German Manga}, booktitle = {Intercultural Crossovers, Transcultural Flows: Manga/Comics}, year = {2012}, pages = {49-60}, publisher = {Kyoto Seika University International Manga Research Center}, organization = {Kyoto Seika University International Manga Research Center}, edition = {ed. Jaqueline Berndt. Global Manga Studies 2} } @article {6202, title = {Shifting Ground and Shifting Borders in the German Mangascape}, journal = {Kobuk: Zeitschrift f{\"u}r Literatur und Wissenschaft}, volume = {4}, year = {2011}, pages = {55-85}, url = {http://ferstl-perz.at/attachments/article/36/KOBUK_No4_Manga_(1_2011).pdf.} } @inbook {6203, title = {From BRAVO to Animexx.de to Export: Capitalizing on German Boys\&$\#$39; Love Fandom, Culturally, Socially and Economically}, booktitle = {Boys{\textquoteright} Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre}, year = {2010}, pages = {23-43}, publisher = {McFarland}, organization = {McFarland}, edition = {ed. Antonia Levi, Mark McHarry and Dru Pagliassotti} } @inbook {6206, title = {The Manga Publishing Scene in Europe}, booktitle = {Manga: An Anthology of Global and Cultural Perspectives}, year = {2010}, pages = {315-31}, publisher = {Continuum}, organization = {Continuum}, edition = {ed. Toni Johnson-Woods} } @inbook {6208, title = {Mangascape Germany: Comics as Intercultural Neutral Ground}, booktitle = {Comics as a Nexus of Cultures: Essays on the Interplay of Media, Disciplines and International Perspectives}, year = {2010}, pages = {223-34}, publisher = {McFarland}, organization = {McFarland}, edition = {ed. Mark Berninger, Jochen Ecke and Gideon Haberkorn} } @article {6209, title = {Home-grown Shoujo Manga and the Rise of Boys\&$\#$39; Love Among Germany\&$\#$39;s \&$\#$39;Forty-Niners\&$\#$39;}, journal = {Intersections: Gender and Sexuality in Asia and the Pacific}, volume = {20}, year = {2009}, url = {http://intersections.anu.edu.au/issue20/malone.htm} } @inbook {6210, title = {They Sold Their Soul for Rock\&$\#$39;n\&$\#$39;Roll: Faustian Rock Musicals}, booktitle = {International Faust Studies: Adaptation, Reception, Translation}, year = {2008}, pages = {216-230}, publisher = {Continuum}, organization = {Continuum}, edition = {ed. Lorna Fitzsimmons} } @inbook {6214, title = {From Blockbuster to Flop?: The Apparent Failure (or Possible Transcendence) of Ralf K{\"o}nig\&$\#$39;s Queer Comics Aesthetic in Maybe... Maybe Not and Killer Condom}, booktitle = {Film and Comic Books}, year = {2007}, pages = {221-45}, publisher = {University Press of Mississippi }, organization = {University Press of Mississippi }, edition = {ed. Ian Gordon, Mark Jancovich, and Matthew P. McAllister} } @inbook {6212, title = {My Own Private Apocalypse: Shinji Ikari as Schreberian Paranoid Superhero in Hideaki Anno\&$\#$39;s Neon Genesis Evangelion}, booktitle = {Super/Heroes: From Hercules to Superman}, year = {2007}, pages = {111-26}, publisher = {New Academia Publishing}, organization = {New Academia Publishing}, edition = {ed. Wendy Haslem, Angela Ndalianis and Chris Mackie} } @inbook {6211, title = {Transposition or Translation? Fiction to Film in Doris D{\"o}rrie\&$\#$39;s Nobody Loves Me and Am I Beautiful?}, booktitle = {Film and Literature}, year = {2007}, pages = {333-46}, publisher = {Rodopi}, organization = {Rodopi}, edition = {ed. Christiane Schonfeld, with Hermann Rasche. Amsterdamer Beitr{\"a}ge zur neueren Germanistik 63} } @article {6213, title = {\&$\#$39;Mit dem Proze{\ss} beginnt die Musik\&$\#$39;: Gottfried von Einem\&$\#$39;s 1953 Operatic Adaptation of Franz Kafka\&$\#$39;s Der Proze{\ss}}, journal = {Seminar}, volume = {41}, year = {2005}, pages = {421-41}, url = {http://www.utpjournals.press/doi/abs/10.3138/sem.v41.4.421} } @inbook {6215, title = {Faust: The Rock Opera}, booktitle = {Faust: Icon of Modern Culture}, year = {2004}, pages = {263-75}, publisher = {Helm Information}, organization = {Helm Information}, edition = {ed. Osman Durrani} } @inbook {6216, title = {Goebbels Runs Aground: The Nazi Titanic Film}, booktitle = {Titanic as Myth and Memory: Representations in Visual and Literary Culture}, year = {2004}, pages = {121-30}, publisher = {I. B. Tauris}, organization = {I. B. Tauris}, edition = {ed. Sarah Street and Tim Bergfelder} } @article {6218, title = {\&$\#$39;Good Sisters\&$\#$39; and \&$\#$39;Little Sister Hearts\&$\#$39;: Translating and Transplanting the Joual of Michel Tremblay\&$\#$39;s Les Belles-Soeurs}, journal = {Theatre Research in Canada/Recherches Th{\'e}{\^a}trales au Canada}, volume = {23}, year = {2003}, pages = {39-57}, url = {https://journals.lib.unb.ca/index.php/TRIC/article/view/7065/8124} } @inbook {6217, title = {\&$\#$39;Supergro{\ss}, superkalt, und hetzt mich super ab\&$\#$39;: Canada as Seen from Berlin in Penelope Buitenhuis\&$\#$39;s Trouble}, booktitle = {Cultural Link: Kanada-Deutschland. Festschrift zum drei{\ss}{\'\i}gj{\"a}hrigen Bestehen eines akademischen Austausches}, year = {2003}, pages = {295-306}, publisher = {R{\"o}hrig}, organization = {R{\"o}hrig}, edition = {ed. Beate Henn-Memmesheimer and David G. John. Mannheimer Studien zur Literatur- und Kulturwissenschaft 31} } @book {29055, title = {Franz Kafka\&$\#$39;s \&$\#$39;The Trial\&$\#$39;: Four Stage Adaptations}, year = {2003}, publisher = {Peter Lang}, organization = {Peter Lang} } @article {6220, title = {{\"O}d{\"o}n von Horv{\'a}th\&$\#$39;s Back and Forth: Teetering Between Exile and Return}, journal = {Modern Drama}, volume = {46}, year = {2003}, pages = {55-72}, url = {https://doi.org/10.1353/mdr.2003.0041} }