<style face="normal" font="default" size="100%">The Forgotten World of Vienna's Interwar Comic Strips</style>

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<style face="normal" font="default" size="100%">The Forgotten World of Vienna's Interwar Comic Strips</style>

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<style face="normal" font="default" size="100%"><em>Time Gamers</em>: The Failure of the 'New German <em>Astérix</em>.'</style>

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<style face="normal" font="default" size="100%"><em>Flüchtlingscomics</em>: Comics About / For / By Refugees--Across Cultures, or At Cross Purposes?</style>

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<style face="normal" font="default" size="100%">Truth, Justice...and the Austrian Way? Opposing Political Agendas, Duelling Sovereignties, and Austrian Superheroes</style>

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<style face="normal" font="default" size="100%">'You Are Leaving the French Sector': Flix's <em>Spirou in Berlin</em> and the Internationalization of German Comics</style>

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<style face="normal" font="default" size="100%">Missing in Action: The Late Development of the German-Speaking Superhero</style>

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<style face="normal" font="default" size="100%">A Periphery Surrounded by Centres: The German-Language Comics Market, Transnational Relationships, and Graphic Novels</style>

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<style face="normal" font="default" size="100%"><em>Werbecomics </em>at the Beginning of German Comics: Emmerich Huber and Josef Mauder</style>

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<style face="normal" font="default" size="100%">Kissing the Frog: Reframing Translation in the L2 Classroom</style>

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<style face="normal" font="default" size="100%">Mali And Werner's <em>Mike</em>: Underground Sensibility in a German Bank's Advertising Comic.</style>

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<style face="normal" font="default" size="100%">Hybrides Spielfeld Manga: Adaption und Transformation japanischer Comics in Deutschland</style>

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<style face="normal" font="default" size="100%">Transplanted Boys' Love Conventions and Anti-'Shota' Polemics in a German Manga: Fahr Sindram's Losing Neverland</style>

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<style face="normal" font="default" size="100%">Transcultural Hybridization in Home-Grown German Manga</style>

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<style face="normal" font="default" size="100%">Shifting Ground and Shifting Borders in the German Mangascape</style>

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<style face="normal" font="default" size="100%">From BRAVO to Animexx.de to Export: Capitalizing on German Boys' Love Fandom, Culturally, Socially and Economically</style>

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<style face="normal" font="default" size="100%">The Manga Publishing Scene in Europe</style>

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<style face="normal" font="default" size="100%">Mangascape Germany: Comics as Intercultural Neutral Ground</style>

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<style face="normal" font="default" size="100%">Home-grown <em>Shoujo Manga</em> and the Rise of Boys' Love Among Germany's 'Forty-Niners'</style>

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<style face="normal" font="default" size="100%">They Sold Their Soul for Rock'n'Roll: Faustian Rock Musicals</style>

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<style face="normal" font="default" size="100%">From Blockbuster to Flop?: The Apparent Failure (or Possible Transcendence) of Ralf König's Queer Comics Aesthetic in <em>Maybe... Maybe Not</em> and <em>Killer Condom</em></style>

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<style face="normal" font="default" size="100%">My Own Private Apocalypse: Shinji Ikari as Schreberian Paranoid Superhero in Hideaki Anno's <em>Neon Genesis Evangelion</em></style>

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<style face="normal" font="default" size="100%">Transposition or Translation? Fiction to Film in Doris Dörrie's <em>Nobody Loves Me</em> and <em>Am I Beautiful</em>?</style>

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<style face="normal" font="default" size="100%">'Mit dem Prozeß beginnt die Musik': Gottfried von Einem's 1953 Operatic Adaptation of Franz Kafka's <em>Der Prozeß</em></style>

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<style face="normal" font="default" size="100%"><em>Faust</em>: The Rock Opera</style>

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<style face="normal" font="default" size="100%">Goebbels Runs Aground: The Nazi <em>Titanic </em>Film</style>

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<style face="normal" font="default" size="100%">'Good Sisters' and 'Little Sister Hearts': Translating and Transplanting the <em>Joual </em>of Michel Tremblay's <em>Les Belles-Soeurs</em></style>

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<style face="normal" font="default" size="100%">'Supergroß, superkalt, und hetzt mich super ab': Canada as Seen from Berlin in Penelope Buitenhuis's <em>Trouble</em></style>

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<style face="normal" font="default" size="100%"><em>Franz Kafka's 'The Trial': Four Stage Adaptations</em></style>

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<style face="normal" font="default" size="100%">Ödön von Horváth's <em>Back and Forth</em>: Teetering Between Exile and Return</style>