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"Technoromanticsm Reanimated: A Grave Approach". (2008). North American Society for the Study of Romanticism University of Toronto.
"The Fourfolds of William Blake and Martin Heidegger: Minds, Bodies, Technologies". (2003). Association for Computers and the Humanities.
"The Fourfolds of William Blake and Martin Heidegger". (2005). Romantic Circles. Winter 2005.
O'Gorman, M. , & Rice, J. (Eds.). (2008). "The Hypericonic De-Vise". In New Media/New Methods. Parlor Press.
Sayers, J. (Ed.). (Accepted). "The Making of a Digital Humanities Neo-Luddite". In Making Humanities Matter. University of Minnesota Press.
"Theo-Caching: Geocaching, Media Theory, and the Built Environment". (2008). Canadian Communication Association Annual Meeting (Congress 2008), Carleton University.
"Transparency and Deception on the Hardware Fashion Scene". (2000). Conference of the Popular Culture Association.
"What Is Digital Media Studies?". (2005). Society for Literature, Science and the Arts Conference.
"What Is Necromedia?". (2003). Intermédialités, international journal of new media. Summer 2003.
"Why the Digital Humanities Need the Digital Arts". (2006). Association of Computing Humanists Conference, La Sorbonne.
"Woodworm in the Post: Creeping Toward an Electronic Version of History". (1998). Theories of History/Histories of Theory International Conference.
Alexander, J. , & Rhodes, J. (Eds.). (Accepted). "Writing With a Soldering Iron". In The Routledge Companion to Digital Writing and Rhetoric.
"You Can't Always Get What You Want: Transparency and Deception on the Hardware Fashion Scene". (2000). Ctheory, international journal of theory, technology, and culture. November 2000.
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O'Gorman, M. , & Davis, B. . (2005). Screening Coffin. Morlan Art Gallery, Lexington, Kentucky, 2005; Artery Gallery, Kitchener, Ontario, 2009.
O'Gorman, M. , & Watkins, D. . (2007). Screening Coffin Meets Empty Days. University of Waterloo School of Architecture.

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