University of Waterloo events

Abraham Oghobase investigates the ways that photographic images shape memory and history. The artist’s mixed-media installation Onoriode (Who Knows Tomorrow?) references both his middle name and its translation from the Urhobo language. Exhibited in context with the large-scale print installation Notes to Self, these recent bodies of work are made in response to the tensions inherent to both the personal and historical archive.

The multidisciplinary artworks in Handheld are rooted in Laura Moore’s fascination with obsolete technology and her commitment to repurposing materials. Having established a reputation for carving 1:1 scale vintage computer monitors and boom boxes out of stone, over the last few years her practice has expanded to include the making of quilts and mosaics.

Make this cozy beanie and learn basic crochet knowledge and skills.

Through structured activities, peer dialogue, and reflective writing, participants will build strategies to negotiate academic expectations while sustaining their own voices and identities as writers.

This 5-week workshop series integrates practical revision tools with antiracist and decolonial perspectives on writing. Drawing on Felicia Rose Chavez’s The Antiracist Writing Workshop, the program treats academic writing as a cultural practice shaped by power, rhetorical traditions, and linguistic diversity.

Generative Artificial Intelligence (GenAI) can’t write your literature review for you, but this workshop will explore and introduce GenAI tools you may use as supports in the literature review process.

Abraham Oghobase investigates the ways that photographic images shape memory and history. The artist’s mixed-media installation Onoriode (Who Knows Tomorrow?) references both his middle name and its translation from the Urhobo language. Exhibited in context with the large-scale print installation Notes to Self, these recent bodies of work are made in response to the tensions inherent to both the personal and historical archive.

The multidisciplinary artworks in Handheld are rooted in Laura Moore’s fascination with obsolete technology and her commitment to repurposing materials. Having established a reputation for carving 1:1 scale vintage computer monitors and boom boxes out of stone, over the last few years her practice has expanded to include the making of quilts and mosaics.

Abraham Oghobase investigates the ways that photographic images shape memory and history. The artist’s mixed-media installation Onoriode (Who Knows Tomorrow?) references both his middle name and its translation from the Urhobo language. Exhibited in context with the large-scale print installation Notes to Self, these recent bodies of work are made in response to the tensions inherent to both the personal and historical archive.

The multidisciplinary artworks in Handheld are rooted in Laura Moore’s fascination with obsolete technology and her commitment to repurposing materials. Having established a reputation for carving 1:1 scale vintage computer monitors and boom boxes out of stone, over the last few years her practice has expanded to include the making of quilts and mosaics.

Abraham Oghobase investigates the ways that photographic images shape memory and history. The artist’s mixed-media installation Onoriode (Who Knows Tomorrow?) references both his middle name and its translation from the Urhobo language. Exhibited in context with the large-scale print installation Notes to Self, these recent bodies of work are made in response to the tensions inherent to both the personal and historical archive.