University of Waterloo events

CAMELOT is a student-led conference that brings together history enthusiasts, students, and researchers to explore the past through presentations, discussions, and hands-on learning experiences.

Hosted by the Office of Indigenous Relations, this one-day celebration of Indigenous heritage features vendors, dancers, and singers from the Waterloo region and beyond.

Abraham Oghobase investigates the ways that photographic images shape memory and history. The artist’s mixed-media installation Onoriode (Who Knows Tomorrow?) references both his middle name and its translation from the Urhobo language. Exhibited in context with the large-scale print installation Notes to Self, these recent bodies of work are made in response to the tensions inherent to both the personal and historical archive.

The multidisciplinary artworks in Handheld are rooted in Laura Moore’s fascination with obsolete technology and her commitment to repurposing materials. Having established a reputation for carving 1:1 scale vintage computer monitors and boom boxes out of stone, over the last few years her practice has expanded to include the making of quilts and mosaics.

If you love yarn crafts (knitting, crochet, etc.), and would like to take a yarn break, have fun, connect with other yarners, enjoy a cup of tea, and indulge in your craft with like minded members of our community, then our Yarn Drop-in Stress Buster Sessions are for you!

Make this cozy beanie and learn basic crochet knowledge and skills.

Join us for an in-person Graduate School Fair to have all your questions answered by faculty members and admissions experts.

The Black, Indigenous and Racialized Students' Writing Café is a social writing group. Unlike traditional peer feedback-based writing groups, we don’t read each other’s finished writing: instead, we write together to create a community of writers who can cheer each other on during what is often an isolating, difficult journey!

Abraham Oghobase investigates the ways that photographic images shape memory and history. The artist’s mixed-media installation Onoriode (Who Knows Tomorrow?) references both his middle name and its translation from the Urhobo language. Exhibited in context with the large-scale print installation Notes to Self, these recent bodies of work are made in response to the tensions inherent to both the personal and historical archive.

The multidisciplinary artworks in Handheld are rooted in Laura Moore’s fascination with obsolete technology and her commitment to repurposing materials. Having established a reputation for carving 1:1 scale vintage computer monitors and boom boxes out of stone, over the last few years her practice has expanded to include the making of quilts and mosaics.