Events

Under the Pines, Over the Clouds is rooted in Xiaojing Yan’s Chinese heritage and her experience as an immigrant. Her explorations as an artist can be viewed through a similarly bifurcated lens: the forms and landscapes are equally as indebted to the artist’s cultural identity as they are to her empathy for the natural world.

Visit the Longhouse Labs to view an exhibition of works by renowned photographer and Longhouse Labs fellow Greg Staats

Visit the Longhouse Labs to view an exhibition of works by renowned photographer and Longhouse Labs fellow Greg Staats

Visit the Longhouse Labs to view an exhibition of works by renowned photographer and Longhouse Labs fellow Greg Staats

Visit the Longhouse Labs to view an exhibition of works by renowned photographer and Longhouse Labs fellow Greg Staats

Visit the Longhouse Labs to view an exhibition of works by renowned photographer and Longhouse Labs fellow Greg Staats

Visit the Longhouse Labs to view an exhibition of works by renowned photographer and Longhouse Labs fellow Greg Staats

Cree Tylee is an interdisciplinary artist exploring themes of presence and absence investigated through the family archive. "In any way I can" explores the home as a site of memory, investigating loss and identity through material and spatial remembering. Drawing from a personal family archive, the work considers absence and presence, constructing a material dialogue between ‘then’ and ‘now’.

Cree Tylee is an interdisciplinary artist exploring themes of presence and absence investigated through the family archive. "In any way I can" explores the home as a site of memory, investigating loss and identity through material and spatial remembering. Drawing from a personal family archive, the work considers absence and presence, constructing a material dialogue between ‘then’ and ‘now’.

Cree Tylee is an interdisciplinary artist exploring themes of presence and absence investigated through the family archive. "In any way I can" explores the home as a site of memory, investigating loss and identity through material and spatial remembering. Drawing from a personal family archive, the work considers absence and presence, constructing a material dialogue between ‘then’ and ‘now’.