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Author [ Title(Desc)] Type Year
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E-Crit: Digital Media, Critical Theory and the Humanities. (2007). . University of Toronto Press.
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“A Creative Response to Digital Dementia”. (2014). Media Ecology Association, Ryerson University.
“A Pharmacological Theory and Practice of Digital Mnemotechnics”. (2012). The Digital Subject: Questioning Hypermnesia, Université de Paris 8.
“Angels in Digital Armor: Technoculture and Terror Management" . (2010). Postmodern Culture, 20(3). May 2010.
“Animal-Machine Desire: Putting Dairy Cows on Twitter”. (2012). Society for Literature, Science and the Arts.
“Animals, Objects, and other “Things”: On Posthumanism and Applied Media Theory”. (2009). Society for Literature, Science, and the Arts, Georgia Institute of Technology.
“Attention!” (Roundtable with Bernard Stiegler and N. Katherine Hayles). (2011). Society for Literature, Science and the Arts, University of Waterloo.
“Bernard Stiegler’s Pharmacy: A Conversation”. (2010). Configurations, 18(3). Fall 2010.
“Broken Tools and Misfit Toys: Adventures in Applied Media Theory”. (2012). Canadian Journal of Communication, 37(1).
“Critical Media as Antidote for a Culture of Digital Malaise”. (2012). Congress of the Social Sciences and the Humanities.
“Designing a Mobile, Embodied, and Socially Active Digital Game”. (2009). Society for Literature, Science, and the Arts, Georgia Institute of Technology.
“Dirty Bodies and Dead Media: Recent Projects from the Critical Media Lab”. (2012). Congress of the Social Sciences and the Humanities.
“Eating Eugene Thacker’s Dust: The Terror of Philosophy”. (2012). Society for Literature, Science and the Arts.
“Hack This: Critical and Historical Contexts for Maker Culture”. (2015). Media Art Histories Conference, Concordia University.
Larsonneur, C. , & Regnault, A. (Eds.). (2015). “La Démentie Digitale” (Digital Dementia). In Hypermnésie et le sujet digital. Presses du Réel.
“McLuhan’s Brain: The Toronto School Legacy of Speculative Neuroscience”. (2016). Toronto School: Then, Now, Next.
“Object-Oriented Ontology as a Horror Philosophy”. (2013). Society for Literature, Science and the Arts, University of Notre Dame.
“Speculative Realism in Chains: A Love Story”. (2013). Angelaki: Journal of the Theoretical Humanities , 18(1).
“Stiegler, Becker, Technoculture”. (2010). Society for Literature, Science, and the Arts, Indiana University.
“Taking Care of Digital Dementia”. (2013). Conference of the Humanities, Arts, Science, Technology Advanced Collaboratory, York University.

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