Associate Professor
Director of Special Programs
Department of Spanish and Latin American Studies
University of Waterloo
Waterloo ON N2L 3G1
519-888-4567 x 42923
mleoni@uwaterloo.ca
University degrees
- Ph.D. University of Toronto, Toronto, Ontario 1998
Major Field of Research: Spanish Literature of the Golden Age
Minor Field of Research: Latin American Literature, Spanish Linguistics
Dissertation Title: The Gracioso in Golden Age Theatre and the Commedia dell’Arte Tradition
- M.A. University of Toronto, Toronto, Ontario 1993
Thesis: La mirada posesiva en El pintor de su deshonra de Pedro Calderón de la Barca
B.A. Honours , University of Toronto, Toronto, Ontario 1992
French Honours, Spanish Specialization
Teaching and research interests
- Early Modern Spanish Prose and Theater
- Early Modern Hispanic Female Writers
- Italian Commedia Dell'Arte Tradition
Awards
- Recipient of the UW Distinguished Teaching Award, 2008
- Recipient of the OUSA (Ontario Undergraduate Student Alliance) Teaching Excellence Award, 2008
- Recipient of the Outstanding Performance Award, 2019
Publications
Book
Οutside...Inside...Aside: Dialoguing with the Gracioso in Spanish Golden Age Theatre. New Orleans, Louisiana: University Press of the South, 2000. (iii + 162 pp.)
Chapter in a book
“Silence is/as Golden...Age Device: Ana Caro’s Eloquent Reticence in Valor, agravio y mujer”. Women in the Discourse of Early Modern Spain. Ed. Joan F. Cammarata. Gainsville: University Press of Florida, 2003. 199-212. Refereed volume.
Selected publications
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“Agustín Moreto’s El Lindo don Diego: Scrutinizing the Masculinities at Play.” Peculiar Lives in Early Modern Spain: Essays Celebrating Amy Williamsen Volume 1. Edited by Robert Bayliss and Judith G. Caballero. University Press of the South, 2020, pp 139-154.
- "María de Zayas and La traición en la amistad: The Convenient Demonization of Fenisa,” Bulletin of the Comediantes 59.1 (2007): 149-166.
- “María de Zayas’s La traición en la amistad: Female Friendship Politicized?”. South Atlantic Review. 68.4 (Fall 2003): 62-84.
- “Abriendo cajitas chinas: Magia múltiple en la obra de Ana Caro: Otra consideración de El conde Partinuplés (1640?)”. [Opening Chinese Boxes: Multiple Magic in the work of Ana Caro – Another Look at El conde Partinuplés (1640?)] Revista Literaria Baquiana Anuario V(2003-2004): 142-152.
- “Court Culture and Moreto’s El lindo don Diego: Are You In, Or Are You Out?,” Bulletin of the Comediantes 50.2 (Winter 1998): 387-404.
- “Tirso de Molina’s Don Gil de las calzas verdes: The Fluidity of Gender and the Marginalized Gracioso Figure,” Scripta Meditteranea (Vol. 8 1997): 59-71.
Selected conference papers
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- “María de Zayas’s La traición en la amistad: The Need for the Other”. Congress of the Humanities and Social Sciences, York University, May 27-30, 2006.
- “María de Zayas’s La traición en la amistad: The Demonization of Fenisa”. North East Modern Language Association (NEMLA), Philadelphia, Pennsylvania, March 1-5, 2006.
- “The Pleasures of Victimization: Fenisa’s Fall in Maria de Zayas’s La traición en la amistad”.Congress of Humanities and Social Sciences, University of Western Ontario, London Ontario, May 28-June 5, 2005.
- “María de Zayas's "La traición en la amistad": Female Friendships or Astute Alliances?” North East Modern Language Association (NEMLA), Boston, Massachusetts, March 6-9, 2003.
- “Shape Shifting Caution: Transformations of the Female Tale in María de Zayas,” ACH (Asociación Canadiense de Hispanistas), Congress of the Social Sciences and Humanities, Toronto, Ontario May 25-28, 2002.
- “María de Zayas and her “Love Stories”: Re-framing “Female” Fiction” NEMLA, (North East Modern Language Association), Hartford, Connecticut, March 30-31, 2001.
- “Rhetorical Reserves in Ana Caro’s Valor, agravio y mujer” SAMLA (South Atlantic Modern Language Association) Meeting, Birmingham, Alabama, November 10-12, 2000.
- “Figuring the figurón: The Ins and Outs of Decisive Derisiveness,” Kentucky Foreign Language Conference, Lexington, Kentucky, April 27-29, 2000.
- “Opening Pandora’s Box / Abriendo Cajitas Chinitas: Multiple Magic in Ana Caro’s El Conde Partinuplés,” NEMLA (North Eastern Modern Language Association) Meeting, Buffalo, April 6-9, 2000.
- “Talk is Cheap: Ana Caro’s Parameters of Silence,” NEMLA (North Eastern Modern Language Association) Meeting, Pittsburgh, Pennsylvania, April 16-17, 1999.
- “The Paradoxical Role of Power in Moreto’s El Lindo don Diego,” The Congress of the Social Sciences and the Humanities, Asociación Canadiense de Hispanistas. University of Ottawa, May 28, 1998.
- “Ana Caro’s Valor, agravio y mujer: Flora’s Absence / Presence”. American Association of Teachers of Spanish and Portuguese (AATSP) Meeting, University of Waterloo, Waterloo, Ontario, November 15, 1997.
- “Ana Caro’s Valor, agravio y mujer and the Italian Commedia dell’Arte Tradition: The Case of the Criada”. Women Writers of Later Medieval and Early Modern Spain and Colonial Latin America Conference, University of Virginia, Charlottesville,Virginia, October 30-November 1, 1997.
Courses teaching/taught
Course Number | Title |
---|---|
SPAN 201A/B | Intermediate Spanish |
SPAN 326 | Theatre of the Spanish Golden Age: Texts and Cultural Contexts |
SPAN 390 | Introduction to Spanish Business Translation |
SPAN 430 | Literary Women in Early Modern Hispanic Culture |