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Book
Book Chapter
“Flüchtlingscomics: Comics About / For / By Refugees--Across Cultures, Or At Cross Purposes?”. 2021. In Jahrbuch Für Internationale Germanistik 141, ed. Andrea Speltz and Nikola von Merveldt, 63-78. Peter Lang.
“Missing In Action: The Late Development Of The German-Speaking Superhero”. 2019. In The Superhero Symbol, ed. Angela Ndalianis, Ian Gordon, and Liam Burke, 253-72. Rutgers UP.
“Kissing The Frog: Reframing Translation In The L2 Classroom”. 2016. In Translation And Translating In German Studies: A Festschrift For Raleigh Whitinger, ed. John L. Plews and Diana Spokiene. With Barbara Schmenk , 265-78. WLU Press.
“Hybrides Spielfeld Manga: Adaption Und Transformation Japanischer Comics In Deutschland”. 2013. In Nipponspiration: Japonismus Und Japanische Populärkultur Im Deutschsprachigen Raum, ed. Michiko Mae and Elisabeth Scherer, 233-58. Böhlau Verlag.
“Transcultural Hybridization In Home-Grown German Manga”. 2012. In Intercultural Crossovers, Transcultural Flows: Manga/Comics, ed. Jaqueline Berndt. Global Manga Studies 2th ed., 49-60. Kyoto Seika University International Manga Research Center.
“Mangascape Germany: Comics As Intercultural Neutral Ground”. 2010. In Comics As A Nexus Of Cultures: Essays On The Interplay Of Media, Disciplines And International Perspectives, ed. Mark Berninger, Jochen Ecke and Gideon Haberkorn, 223-34. McFarland.
“The Manga Publishing Scene In Europe”. 2010. In Manga: An Anthology Of Global And Cultural Perspectives, ed. Toni Johnson-Woods, 315-31. Continuum.
“From Bravo To Animexx.de To Export: Capitalizing On German Boys' Love Fandom, Culturally, Socially And Economically”. 2010. In Boys’ Love Manga: Essays On The Sexual Ambiguity And Cross-Cultural Fandom Of The Genre, ed. Antonia Levi, Mark McHarry and Dru Pagliassotti, 23-43. McFarland.
“They Sold Their Soul For Rock'N'Roll: Faustian Rock Musicals”. 2008. In International Faust Studies: Adaptation, Reception, Translation, ed. Lorna Fitzsimmons, 216-230. Continuum.
“From Blockbuster To Flop?: The Apparent Failure (Or Possible Transcendence) Of Ralf König'S Queer Comics Aesthetic In Maybe.. Maybe Not And Killer Condom”. 2007. In Film And Comic Books, ed. Ian Gordon, Mark Jancovich, and Matthew P. McAllister, 221-45. University Press of Mississippi .
“My Own Private Apocalypse: Shinji Ikari As Schreberian Paranoid Superhero In Hideaki Anno'S Neon Genesis Evangelion”. 2007. In Super/Heroes: From Hercules To Superman, ed. Wendy Haslem, Angela Ndalianis and Chris Mackie, 111-26. New Academia Publishing.
“Transposition Or Translation? Fiction To Film In Doris Dörrie'S Nobody Loves Me And Am I Beautiful?”. 2007. In Film And Literature, ed. Christiane Schonfeld, with Hermann Rasche. Amsterdamer Beiträge zur neueren Germanistik 63th ed., 333-46. Rodopi.
“Goebbels Runs Aground: The Nazi Titanic Film”. 2004. In Titanic As Myth And Memory: Representations In Visual And Literary Culture, ed. Sarah Street and Tim Bergfelder, 121-30. I. B. Tauris.
“Faust: The Rock Opera”. 2004. In Faust: Icon Of Modern Culture, ed. Osman Durrani, 263-75. Helm Information.
“'Supergroß, Superkalt, Und Hetzt Mich Super Ab': Canada As Seen From Berlin In Penelope Buitenhuis'S Trouble”. 2003. In Cultural Link: Kanada-Deutschland. Festschrift Zum Dreißígjährigen Bestehen Eines Akademischen Austausches, ed. Beate Henn-Memmesheimer and David G. John. Mannheimer Studien zur Literatur- und Kulturwissenschaft 31th ed., 295-306. Röhrig.
Journal Article
“Time Gamers: The Failure Of The 'New German Astérix.'”. 2022. The Journal Of Comics & Culture 7: 47-70.

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