Konrad Gaerdes |
Analysis of the linguistic repertoire of a migrant family
|
2019 |
Grit Liebscher |
Jasmin Lissitsin |
German as a foreign language: Fostering intercultural and symbolic competence in integration courses in Germany |
2019 |
Barbara Schmenk |
Jakob Stephan |
Towards a Posthumanist Eco-Zoopoetics: Kafkas‘ Tiergeschichten and Yoko Tawadas Etüden im Schnee |
2019 |
Alice Kuzniar |
Viktoria Pekarskaya |
Kylie Jenner and Her Instagram Audience: A Lacanian Cultural Analysis |
2019 |
Alice Kuzniar |
Miriam Meurer |
Der monolinguale Multilingualismus der EU- Sprachenpolitik - Eine Analyse der Reproduktion von EU-ropäischen Sprachideologien - The Monolingual Multilingualism of the EU Language Policy - An Analysis of the Reproduction of EU-ropean Language Ideologies |
2019 |
Barbara Schmenk |
Jana Koepcke |
The Fifteenth-Century Middle High German Tale The Queen of France: Diplomatic Edition and Annotated Translation of Heidelberg, Universitätsbibliothek, Heid. Hs. 1012, fol. 249r-254v |
2018 |
Ann Marie Rasmussen |
Michael Eppelmann |
Germans and German Brazilians: Discourses of Authenticity in Blumenau |
2018 |
Grit Liebscher and Ludwig Eichinger (Mannheim) |
Jonas Heintz |
Absurd America: Immigration and Meaninglessness in Werner Herzog's "Stroszek" und Franz Kafkas "Der Verschollene" |
2018 |
Thomas Wortmann (Mannheim) |
Myrto Provida |
Can women have it all? The (in)compatability of work and family in Kristine Bilkau's "Die Glücklichen" and Maren Ade's "Toni Erdmann" |
2018 |
James Skidmore |
Sabrina Wuttke |
Literarische Wege zum Glück: Die Repräsentation des Glücks in gegenwärtiger deutscher Literatur in Kristine Bilkaus "Die Glücklichen" und "Schau mich an, wenn ich mit dir rede!" von Monika Helfer |
2018 |
James Skidmore |
Kristin Yaworski |
Female Masochism in Michael Haneke’s La Pianiste and Lars von Trier’s Nymphomaniac
|
2017 |
Alice Kuzniar |
Alissa Melitzer |
"We call them Tracht": Transcultural Positioning through Code-Switching and Repair |
2017 |
Grit Liebscher |
Erica Swyers |
Investigating Learner Beliefs Using the Lego Serious Play Method |
2017 |
Barbara Schmenk |
Alexander Sullivan |
I ought-to learn a language, but it's not ideal: Motivation in learners of German |
2017 |
Barbara Schmenk |
Julia Baumann |
Keeping It Simple. Short Stories Written by the Young Generation in post-war Germany |
2017 |
Justus Fetscher (Mannheim) |
Anne Buhl |
Arthur Schnitzler's Traumnovelle - Stanley Kubrick's Eyes Wide Shut. Das Geheimnis der Ehe |
2017 |
Justus Fetscher (Mannheim) |
Judith Hallwachs |
Approaches to "Interculturality", "Transculturality" and "Culture Reflexivity" in Self-Help Literature |
2017 |
Beate Henn-Memmesheimer (Mannheim) |
Janina Krieger |
Television in Literature |
2017 |
Christa Karpenstein-Eßbach (Mannheim) |
Louisa Morick |
Communicative Practices of Resistance in Psychotherapy Interactions: Patients resistance to Solution-Oriented Questions |
2017 |
Thomas Spranz-Fogasy (Mannheim) |
Philipp Stremlau |
Communicative Practices of Resistance in in Psychotherapy Interactions: Patients' resistance through reactive Ich-weiß-nicht constructions |
2017 |
Thomas Spranz-Fogasy (Mannheim) |
Sonja Schaefer |
"Biste etwa einer von den roten Gebhardts?" Identities between Family and Society in Klaus Kordon's Trilogie der Wendepunkte |
2017 |
Ulrich Kittstein (Mannheim) |
Caterina Katzer |
German-Canadian Identitiy Negotiation. A Comparative Study About "Selbsterfindung" in Margaret Atwood's Cat's Eye (1988) and Felicitas Hoppe's Hoppe (2012) |
2016 |
Thomas Wortmann (Mannheim) |
Melanie Weiß |
Repairs of Time References in Psychodiagnostic Talks |
2016 |
Thomas Spranz-Fogasy (Mannheim) |
Richard Barnett |
Recent German Memorials to Jewish Victims of World War II |
2016 |
James Skidmore |
Wes Lindinger |
Language Shift Processes in the German-speaking Community of Waterloo Region |
2016 |
Mathias Schulze |
Misty Matthews-Roper |
Responding to Ethical Dilemmas in the Anthropocene: Sven Boettcher's Prophezeiung |
2016 |
James Skidmore |
Jeffrey Lapalme |
"Dieses Unterlases ist zu einem Kreiswichs geworden." An SFL-based investigation of the Anti-language of r/kreiswichs |
2016 |
Mathias Schulze |
Katharina Unkelbach |
The Construction of Cultural Alterity in the German Crime Series Tatort |
2016 |
Justus Fetscher (Mannheim) |
Lisa Marie Schmidt |
Narrative Seach for the Golden Spikes. Analyzing the Anthropocene in Theory and Fiction |
2016 |
Justus Fetscher (Mannheim) |
Sara Marsh |
The 'Immersive Experience' of Language Learning: Student Perceptions, Experiences, and Transitions between Online and On-Campus Learning Environments |
2016 |
Mathias Schulze |
Taylor Antoniazzi |
Writing the Self: An Examination of Self-Narration and Identity Construction in Alina Bronsky's Scherbenpark and Julya Rabinowich's Spaltkopf
|
2016 |
Michael Boehringer |
Isabelle Eberz |
=und wenn_s nun mal heißt dass die männer mehr leistung BRINgen?: An interactional to the functions of the modal particle "nun mal" approach |
2016 |
Emma Betz |
Lisa Huehner |
how Gabriotto writes a letter to his loved one Philomena - the narratological function of letters in Jörg Wickram's "Gabriotto und Reinhart" |
2016 |
Katharina Philipowski (Mannheim) |
Sara Werthmueller |
Kometensplitter einer Biographie und die vielstimmige Beweglichkeit der Kunst. Autofiktionales Erzählen in Felicitas Hoppes Hoppe? |
2015 |
Justus Fetscher (Mannheim) |
Maike Mueller |
Zwischen Vater und Mann. Die Krise von Familie und Männerrolle in Breaking Bad |
2015 |
Christoph Weiß (Mannheim) |
Ina Bendig |
Diversity Management: The Programmatic Treatment of Cultural Diversity. A Linguistic Analysis |
2015 |
Beate Henn-Memmesheimer (Mannheim) |
Samuel Schirm |
Also meine freundin sie kommt aus schwaben: Use of the German participle 'also' in a study abroad context |
2015 |
Emma Betz |
Derek Andrews |
Assisted Dying in Swiss Literature: Power and Agency in Max Frisch's Jürg Reinhart and Lukas Bärfuss' Alices Reise in die Schweiz |
2015 |
Michael Boehringer |
Tobias Sedlmaier |
"Denn sie wissen nicht, was sie tun..." - Opfermythos und Sündenbockritual in Hermann Brochs Die Verzauberung |
2014 |
Michael Boehringer |
Stefanie Templin |
Postadolescent Novels in Contemporary German and Canadian Literature: Defining Features and Character Development of In Plüschgewittern's and The Flying Troutmans' Protagonists |
2014 |
Justus Fetscher (Mannheim) |
Julia Roitsch |
Globality and Locality in the Discourse of Advertising: the Use and Function of Language Variation in TV Commercials |
2014 |
Beate Henn-Memmesheimer (Mannheim) |
Judith Linneweber |
Analysing "aber" as a Disagreement Marker in written and spoken German by combining two different Approaches: Corpus Linguistics & Conversation Analysis |
2014 |
Ludwig Eichinger (Mannheim) |
Katharina Leuner |
Multilingualism Management at Work: Language Policies, Practices, and Perceptions in German Multinational Corporations. A Case Study |
2014 |
Beate Henn-Memmesheimer (Mannheim) |
Pia Hoffmann |
Between Discipline and Tenderness - The Father Figures in Theodor Storm's Novellas |
2014 |
Justus Fetscher (Mannheim) |
Anna Burkert |
Die Bedeutung von High Context Cultures vs. Low Context Cultures im interkulturellen Training |
2014 |
Beate Henn-Memmesheimer (Mannheim) |
Anne Geyer |
Identity Constructions of People with Disability in German Film. An Analysis of the sensory Disabilities Deafness and Blindness in Jenseits der Stille and Erbsen auf Halb Sechs |
2014 |
Jochen Hörisch (Mannheim) |
Hannah Oestreich |
The Knowledge of German Phrases in a Multilingual Context: An Empirical Study among German-Speaking Canadians |
2014 |
Stefan Engelberg (Mannheim) |
Alexandra Johne |
Endlich frei? Die Darstellung des Endes der DDR in Thomas Brussigs Helden wie wir und Wie es leuchtet |
2014 |
Jochen Hörisch (Mannheim) |
Jennifer Redler |
Unrechtsstaat or "Normal" State? Authenticity and the Portrayal of the German Democratic Republic on Film |
2014 |
James M. Skidmore |
Tanya Hagman |
How to Communicate Global Warming? Tracking Narrative Streams in Ilija Trojanow's EisTau |
2014 |
Alice Kuzniar |
Stephanie Cooper |
Analyzing narrated language use: What does it mean to be a German speaker? |
2014 |
Grit Liebscher |
Svetlana Borodina |
Ethnic Identity of Russian Germans in Interaction: Attitudes towards Food Habits |
2013 |
Beate Henn-Memmesheimer (Mannheim) |
Nicole Knapp |
Humour as a vehicle of cultural memory in Leander Haußmann's Sonnenallee and Wolfgang Becker's Good Bye Lenin! |
2013 |
Justus Fetscher (Mannheim) |
Antje Riethmueller |
Sind wir nicht alle ein bisschen Dora? Eine Untersuchung der Funktion psychischer Krankheiten anhand der Raumkonstruktion in Irena Vrkljans Buch über Dora |
2013 |
Jochen Hörisch (Mannheim) |
Stephen Aylward |
Poshlost’ in Nabokov’s Dar through the Prism of Lotman’s Literary Semiotics |
2011 |
Sarah Turner |
Kerstin Hasenzahl |
Spannung zwischen Realität und Fiktion: Die Rolle des Autors in Cornelia Funkes Roman Tintenherz |
2011 |
Michael Boehringer |
Markus Sebastian Klein |
"Dies ist deutsche Literatur, nur ohne Komma und Punkt" - Entwicklung, Methodologie und Analyse von Deutschrap |
2011 |
Paul Malone |
Daniela Hildegard Roth |
Erzählen über Genozid in der neusten deutschsprachigen Afrikaliteratur am Beispiel von Lukas Bärfuss' "Hundert Tage" und Rainer Wocheles "Der General und der Clown" |
2011 |
Michael Boehringer |
Johannes Weinheimer |
Was ist link(s) und recht(s)? Eine Untersuchung der moralischen Gesetzmäßigkeiten in Goethes Die Wahlverwandtschaften |
2011 |
David G. John |