This summer, Bill’s main project has been working along side fellow colleagues, Jennifer Roberts-Smith and Paul Cegys. Their project is based on the Nova Scotia Home for Coloured Children. It was founded and run by the black community in Nova Scotia from the early 1920’s until the late 1990’s.
As part of the creative team, Bill has been trying to learn as much as he can about the design style and the era, based on the memories of the survivors. Bill spent a week in Nova Scotia for an intense, immersive experience that involved in-person conversations and a 360-degree video of the three adults at the house, sharing their recollections. Bill has had to adjust his design approach, in order to truly honour the memories and link the set to other aspects of the project.
He stated:
Every object has a story to tell; it has its own history and can contribute to the emotional impact of the story.
In his spare time Bill has been honing his skills as a portraitist. He draws portraits of his family and friends. He used these skills for the project and has created portraits of the three survivors.