Shana MacDonald

Associate Chair, Undergraduate Advisor for Speech Communication - Assistant Professor
shana.macdonald@uwaterloo.ca
(519) 888-4567 x. 35157
Location: ML 234

photo of Shana MacDonald

Shana MacDonald holds a PhD in Communication and Culture (2013) and an MA in Cinema and Media Studies (2005) from York University, and a BFA in Image Arts (2001) from Ryerson University. Her scholarship focuses on intersectional feminist politics, social and digital media, cinema, performance, and public art. She has published broadly across the fields of film, performance, media and communication studies. Dr. MacDonald is also an internationally curated artist who explores the community-building potential of practice-based, site-specific art interventions in public space. She is founder of the Mobile Art Studio (MAS), a transitory creative lab space that brings art out of the gallery and into public participatory spaces. Her research-creation projects are committed to finding new aesthetic forms and platforms to publicly circulate women’s intersectional lived experiences and histories. Recent MAS events include the HeforShe funded “Let Us Speak” social media research campaign (Fall 2018), the recent “Intersectional Feminist Placemaking” workshop in Montreal (2018) and “Reconstruction,” a participatory performance at Night\Shift: placehacking festival (2016). 

artwork by Shana MacDonald artwork by Shana MacDonald

Recent Work

“New Materialist Research Methods in Public Participatory Art: “Mobilizing the ‘Multi-Mangle’” with Brianna I Wiens, Leisure Sciences Special issue on ‘Posthumanism,’ (in press).

“Reimaging Public Space in Expanded Cinema Exhibition,” Canadian Journal of Film Studies Special issue on ‘Expanded Cinema in Canada,’ 27.1 (Fall 2018).

“The Psychogeographies of Site-Specific Art,” Media Theory Journal 1.2 (June 2018).

“Modes of Inter-subjective Address in The Central Character (1977) and Our Marilyn (1987)” Canadian Journal of Film Studies 25 1 (Summer 2016)

“Shary Boyle Engaged Artistry” in Sculpting Cinema. Eds. Solomon Nagler et al. (Toronto: Pleasure Dome/Canada Council, 2018).

“The City (as) Place: Performative Re-mappings of Urban Space Through Artistic Research” in Performance As Research: Knowledge, Methodology, Impact.  Eds. Melanie Dyer et al. (New York: Routledge, 2016)

 

Courses taught

  • SPCOM 101 – Theories of Communication

  • SPCOM 220 – Performance Studies

  • SPCOM 339 – Media, Images and Communication

  • SPCOM 440 – Performative Inquiry and Practice

Affiliation: 
University of Waterloo

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