Closing reception of the UWAG exhibitions showing the work of José Luis Torres and Sharl G. Smith

José Luis Torres  Material Culture

José Luis Torres’ sculptural work focuses on materiality and the ways in which readymade items can be manipulated to create visually dense immersive environments. Material Culture is a site-specific installation featuring an accumulation of colourful items alternately sourced on campus, thrifted, donated, purchased on Kijiji, and from retailers such as Princess Auto and Dollarama. Suspended in the gallery, the disparate rainbow of objects functions as a kaleidoscopic canopy that celebrates and critiques consumerism in equal measure. Torres’ work uses our familiarity with these domestic, institutional, and recreational items as a way of elevating our appreciation of the everyday, while also inviting us to consider the problematic status of consumer culture: our knack for accumulating stuff, and the growing complexities surrounding the storage, recycling, and disposal of the surplus goods we accumulate.

Born in Argentina, José Luis Torres has lived and worked in Quebec since 2003. He has exhibited site-specific installations and sculpture across Quebec, Canada, the United States, Europe, and Asia. His work has recently been featured in major festivals including the Festival international de jardins of the Jardins de Métis, the Biennale nationale de sculpture contemporaine in Trois-Rivières, CAFKA.14–Contemporary Art Forum Kitchener + Area, the Symposium d’art contemporain in Baie-Saint-Paul, Art in the Open Festival in Charlottetown, and Festival des Architectures Vives in Montpellier, France. In 2021, he was awarded the title of Personnalité Arts et Culture by the organization Culture Capitale-Nationale et Chaudière-Appalaches. Artist website

Sharl G. Smith  Shelter II

Shelter II is a large-scale beaded sculpture that ambitiously expands on the artist’s beadwork practice. Over the last two years, Smith has radically up-scaled her process applying weaving techniques employed in glass bead-stitching to create a sculpture incorporating hundreds of grapefruit-sized metal beads tensioned together using steel cable. The end result is a gargantuan beadwork that has immense physical presence and a surface that slyly reflects and distorts its surroundings. While building on the artist’s training in architecture, Shelter II is also a rebuke to the dismissal of beading as “women’s work” within the context of a patriarchal Western art history rather than as a viable and transgressive art form in its own right.

Sharl G. Smith was born and raised in Jamaica and is based in Waterloo, Ontario. She obtained her Bachelor of Architecture in 2003 and spent over a decade working as a designer and architectural professional in the United States. Moving to Canada in 2015, she became a full-time artist and proprietor of Sun Drops Studio. Shelter II debuted at the Grimsby Public Art Gallery earlier this year, and the artist is also exhibiting as part of a two-person exhibition with Barry Ace titled Beyond the Bead at the Canadian Clay & Glass Gallery. Shelter II was made possible by the generous support of the Canada Council for the Arts and the Waterloo Region Arts Fund. ​Artist website