Amber Lee Williams

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Art gallery exhibiton with photographs of various sizes, 4 banners hanging from the ceiling and two small tables in the middle

Artwork by Amber Lee Williams. Installation view of "Heavy as a Cloud" exhibition, June 2022. Photo by Robert McNair.

Art gallery exhibiton with 44 coloured prints arrange in a grid pattern, 4 banners hanging from the ceiling and two small tables

Artwork by Amber Lee Williams. Installation view of "Heavy as a Cloud" exhibition, June 2022.

Art gallery exhibiton with photographs and prints of various sizes, hanging banners and two small tables in the middle of room

Artwork by Amber Lee Williams. Installation view of "Heavy as a Cloud" exhibition, June 2022. Photo by Robert McNair.

Art installation of a vintage makeup case on the floor with a sepia photograph hanging above showing a hand with a bar of soap

Artwork by Amber Lee Williams. Holding Soap, 35mm black and white film developed in caffenol, 2021-2022 (and vintage travel case).

Art gallery exhibiton with 44 multi-coloured prints of a graduation photo arrange in a grid pattern and 2 small tables

Artwork by Amber Lee Williams. Kept in the Dark. 44 unique anthotypes, 2021-2022. / The Unfinished Painting. Readymade sculpture with “Unfinished Paintings”, note, folded photograph, photographic negative, Clouds and Storms pocketbook, 2022.

Detail of 44 multi-coloured prints of a graduation photo arrange in a grid pattern.

Artwork by Amber Lee Williams. Kept in the Dark. 44 unique anthotypes, 2021-2022. Photo by Robert McNair.

Two small formica-topped tables, seen from above, with a watercolour painting taped to each. Top painting of evergreen trees,

Artwork by Amber Lee Williams. The Unfinished Painting. Readymade sculpture with “Unfinished Paintings”, note, folded photograph, photographic negative, Clouds and Storms pocketbook, 2022.

Series of 24 photos of clouds, waves and children playing in the sand, all printed in blue and sepia.

Artwork by Amber Lee Williams. Untitled (Olive), series. Coffee toned cyanotype, 8’ x 10” each, 2021-2022.

Three polaroid style photos on a wall. Two photos of sheer curtains and one of a sand castle.

Artwork by Amber Lee Williams. Polaroid of the Small Cabin, series. 2021.

Four banners depicting photographs of sheer fabric overtop of irregularly shaped images of skies.

Artwork by Amber Lee Williams. Crepuscular Rays and Clouds and Storms (Lightning, Mammatus, Rainbow), installation of exhibition Heavy as a Cloud at the University of Waterloo Art Gallery, 2022.

Art gallery exhibiton with photographs of various sizes, 4 banners hanging from the ceiling and two small tables in the middle
1 / 10
Artwork by Amber Lee Williams. Installation view of "Heavy as a Cloud" exhibition, June 2022. Photo by Robert McNair.
Art gallery exhibiton with 44 coloured prints arrange in a grid pattern, 4 banners hanging from the ceiling and two small tables
2 / 10
Artwork by Amber Lee Williams. Installation view of "Heavy as a Cloud" exhibition, June 2022.
Art gallery exhibiton with photographs and prints of various sizes, hanging banners and two small tables in the middle of room
3 / 10
Artwork by Amber Lee Williams. Installation view of "Heavy as a Cloud" exhibition, June 2022. Photo by Robert McNair.
Art installation of a vintage makeup case on the floor with a sepia photograph hanging above showing a hand with a bar of soap
4 / 10
Artwork by Amber Lee Williams. Holding Soap, 35mm black and white film developed in caffenol, 2021-2022 (and vintage travel case).
Art gallery exhibiton with 44 multi-coloured prints of a graduation photo arrange in a grid pattern and 2 small tables
5 / 10
Artwork by Amber Lee Williams. Kept in the Dark. 44 unique anthotypes, 2021-2022. / The Unfinished Painting. Readymade sculpture with “Unfinished Paintings”, note, folded photograph, photographic negative, Clouds and Storms pocketbook, 2022.
Detail of 44 multi-coloured prints of a graduation photo arrange in a grid pattern.
6 / 10
Artwork by Amber Lee Williams. Kept in the Dark. 44 unique anthotypes, 2021-2022. Photo by Robert McNair.
Two small formica-topped tables, seen from above, with a watercolour painting taped to each. Top painting of evergreen trees,
7 / 10
Artwork by Amber Lee Williams. The Unfinished Painting. Readymade sculpture with “Unfinished Paintings”, note, folded photograph, photographic negative, Clouds and Storms pocketbook, 2022.
Series of 24 photos of clouds, waves and children playing in the sand, all printed in blue and sepia.
8 / 10
Artwork by Amber Lee Williams. Untitled (Olive), series. Coffee toned cyanotype, 8’ x 10” each, 2021-2022.
Three polaroid style photos on a wall. Two photos of sheer curtains and one of a sand castle.
9 / 10
Artwork by Amber Lee Williams. Polaroid of the Small Cabin, series. 2021.
Four banners depicting photographs of sheer fabric overtop of irregularly shaped images of skies.
10 / 10
Artwork by Amber Lee Williams. Crepuscular Rays and Clouds and Storms (Lightning, Mammatus, Rainbow), installation of exhibition Heavy as a Cloud at the University of Waterloo Art Gallery, 2022.