Cree Tylee

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Art gallery installation of multiple ephemera, white ceramic tiles, shells, crocheted items and a salvaged house window hanging in the center of the room.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

Art gallery installation of brightly coloured terry cloth towels sew together to form a rope, a crochet covered rock, white ceramic tiles, and a vintage landscape painting.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

Art gallery installation of brightly coloured terry cloth towels sew together to form a rope, a crochet covered rock, and three small photo reproductions.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

Art gallery installation of vintage ephemera, and marble topped table standing on bricks, white ceramic tiles, and a vintage landscape painting.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

A vintage figure drawing manual and sticks of charcoal on a low platform.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

Three blurred, bright pink photographic reproductions include two portraits and a child stretching to pick fruit.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

Two clear plastic bags containing old photos, ephemera and a lock of hair, hang on a wall.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

A salvaged house window hangs from the ceiling in front of a wall displaying a row of shells.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

Shell containing a photograph of people at a beach.

Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.

Art gallery installation of multiple ephemera, white ceramic tiles, shells, crocheted items and a salvaged house window hanging in the center of the room.
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Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
Art gallery installation of brightly coloured terry cloth towels sew together to form a rope, a crochet covered rock, white ceramic tiles, and a vintage landscape painting.
2 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
Art gallery installation of brightly coloured terry cloth towels sew together to form a rope, a crochet covered rock, and three small photo reproductions.
3 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
Art gallery installation of vintage ephemera, and marble topped table standing on bricks, white ceramic tiles, and a vintage landscape painting.
4 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
A vintage figure drawing manual and sticks of charcoal on a low platform.
5 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
Three blurred, bright pink photographic reproductions include two portraits and a child stretching to pick fruit.
6 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
Two clear plastic bags containing old photos, ephemera and a lock of hair, hang on a wall.
7 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
A salvaged house window hangs from the ceiling in front of a wall displaying a row of shells.
8 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.
Shell containing a photograph of people at a beach.
9 / 9
Artwork by Cree Tylee. Installation view of "In any way I can" exhibition, 2025. Photography by Scott Lee.