Ceramic 3D Printed Plant-centric Architecture
Abstract:
This thesis utilizes clay 3D printing to create ‘plant-centric architecture’, a concept defined by the author that aims to apply architectural design principles to methods of designing for plants. Traditionally valued for their aesthetic and psychological benefits, indoor plants are often objectified in contemporary architecture, serving as mere decorative elements rather than living organisms with intrinsic needs. This objectification reflects a broader trend in architectural practices where natural elements are manipulated to fit human desires, often at the expense of plant health and sustainability. On the other hand, hydroponic farming systems, which emphasize plant needs and maximize growth productivity, typically lack the aesthetic considerations of traditional architecture.
Plant-centric architecture seeks to bridge this gap by promoting a harmonious environment where the symbiosis between human and plant needs is architecturally envisioned and realized with ceramic 3D printed design. Clay is historically significant for its material qualities and aesthetic appeal, often used at a range of design scales from building facades to flowerpots. 3D printing technology has revolutionized the design use of clay, creating intricate and functional designs catering to plant and human needs. By merging traditional craftsmanship with contemporary design, this approach aims to create environments that honour the vitality of plants, enhancing their health and sustainability while contributing to enriching spatial experiences for humans.
This thesis explores and evaluates the potential of architectural clay 3D printing in developing plant-centric architecture through iterative prototyping. By leveraging scientific understandings of plant architecture with iterative ceramic 3D printed prototyping, this work has the potential to set a new standard in architectural design for plants. The work envisions fostering spaces that nurture both plants and humans, initiating a new dialogue on the future of posthuman architectural design.
The examining committee is as follows:
Supervisor: Linda Zhang
Committee member: Lola Sheppard
Internal-external reader: James Clarke-Hicks
External: Jonathon Anderson
The defence examination will take place:
Wednesday, July 31, 2024, 9:30 a.m.
In-person, ARC1110 - Founders Lounge.
A copy of the thesis is available for perusal in ARC 2106A.