Notice of M.Arch. Thesis Defence (Fall 2013)

Geoffrey Christou

Of the thesis entitled: Ariadne's Thread: A Letter to Descartes
Abstract:


As Galileo peered through a lens to see the twinkle of the Jovian moons, and Antonie Van Leeuwenhoek did the same to study the tremulous basis of all life, so the fabric of threads we weave across time and space – the vast net of relations that bind and separate us – is only visible through a lens. Footprints in the snow and the weathered stone steps of buildings hint at the shape of these threads, but the coming of spring and the hardness of stone limit our observations. The Global Positioning System (GPS) now provides us a lens to see the path that individuals, families, and communities take in space-time -- their worldlines. When millions of GPS signatures are collected from hundreds of individuals, heritable patterns emerge in these worldlines that embody particular individual's ideas and practices, as well as those of the society and the environment in which they operate. Besides providing a tool to test assumptions about how space is used, I argue in this thesis that while allowing us to glimpse a terra incognita, mapping worldlines can also provide a unique perspective on our spatial relationship to one another.

The examining committee is as follows:

Supervisor:

Committee members:

Donald McKay

Rick Haldenby, University of Waterloo
Anne Bordeleau, University of Waterloo

External reader:

Drew Sinclair, Planning Alliance

The committee has been approved as authorized by the Graduate Studies Committee. 

The Defence Examination will take place at:  

3:00 pm on Wednesday, September 4, 2013 (ARC 1001 - Main Lecture Theatre)

A copy of the thesis is available for perusal in ARC 2106A.
 

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Taehyung Kim 

Of the thesis entitled: enframed. 
Abstract:
Contemporary architectural discourse commonly invokes the term framing.  Derivative phrases contrived in education and practise are seemingly inexhaustible: framing the view, framing space, framing an idea, frame of reference, framework, window frame, body frame, space frame.  The polymorphic nature of the term is perplexing, and despite its frequent and casual mention, the rich potential of framing in the architectural design process is often overlooked.   
Framing is a primal phenomenon. It shapes an essential spatial experience with the power to divide, connect, fuse, reveal and conceal entities literally or notionally. In the simple but profound act of recognizing, entering and exiting the boundary between, for example, an interior and an exterior, framing emerges in all its architectural and emotional significance. The experience of the frame is both intimate and metaphysical, hinting at shared but intangible dimensions of architecture.
Through essays, drawings, installations, lists, poems, collages, and other architectural media, this thesis presents a body of twelve investigations that seek to elicit the broader notion behind the complex and transformative nature of framing in today’s parlance of architecture. To clarify, organize and interconnect the experiences of framing, the thesis constructs a theoretical framework on which to base further reflection, study, design and construction.

The examining committee is as follows:

Supervisor:

Committee members:

Anne Bordeleau

Ryszard Sliwka, University of Waterloo
Matthew Spremulli, University of Waterloo

External reader:

Taymoore Balbaa, Principal, ATELIER3AM

The committee has been approved as authorized by the Graduate Studies Committee. 

The Defence Examination will take place at:  

6:00 pm on Thursday, October 10, 2013 (ARC 3003 - Loft)

A copy of the thesis is available for perusal in ARC 2106A.
 

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Amir Azadeh

Of the thesis entitled: Bodies in Parallax: Reframing the Cultural Experience of Miami Beach 
Abstract:
Parallax is integral to the conception of movement in modern architectural space. This research examines the role of architectural parallax in creating dynamic spaces that champion the primacy of perception to reinforce a conceptual narrative. The study is contextualized in the cinematic context of Miami Beach to understand the dynamic quality of its public spaces. An analysis of these spaces studies the role of parallax in reinforcing the city’s scopophiliac meta-narrative of Seeing and being Seen. A final design project is situated within the shifting sociocultural context of Miami Beach today as it strives to reinvent itself into a cultural destination for the high Arts. The chosen site is a historically significant site that has remained as a municipal parking lot for over 70 years, and may not be developed for commercial purposes. The design proposes Collins Cultural Center that draws from the exhibitionist Beach culture of the city and fuses it with the high Arts culture. The aim is to use parallax as an architectural strategy to create a dynamic space for cultural production and exchange. Reframing the cultural imagination of residents and visitors fuels Miami Beach’s momentum towards becoming a future cultural destination for the Arts.

The examining committee is as follows:

Supervisor:

Committee members:

Dereck Revington, University of Waterloo

Marie-Paule MacDonald, University of Waterloo
Anne Bordeleau, University of Waterloo

External reader:

Scott Sorli

The committee has been approved as authorized by the Graduate Studies Committee. 

The Defence Examination will take place at:  

10:00 am on Wednesday, November 6, 2013 (ARC 2026)

A copy of the thesis is available for perusal in ARC 2106A.

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April Wong

Of the thesis entitled: Casting the Dollhouse

Abstract:

The Dollhouse is a model of domestic life; its material framework, spatiality, passage, function and aesthetic describe the architectural construction of a domestic ideal.  Yet, the Dollhouse is not simply an architectural model; it is made specifically to house a Doll.  While architecture structures the movement of the body, social constructions mold the body as well as its image.  Thus, both architectural and social frameworks come together simultaneously to form the cast of the Dollhouse, for which the Doll is molded to fit.
 
But now she is trapped inside the Dollhouse - her fortress and asylum - held captive in its frames and assessed on how well she fits: if she has been trained to use all the props, if she can suit the wardrobe, and play the pre-scripted roles.   She must embody the Doll in order to find a place of belonging.  Thus the domestic ideal is cast in exclusion of the real woman inside the Doll, whose presence becomes a screaming absence found in the impressions left from the cast.
 
I have assembled the casts of four Dollhouses and the Dolls made to fit inside them.  Fabricated by aninterplay of pairing and comparison, a formation between image and text, it is the meeting of two surfaces, of inside and outside, and a woman in between.
 
 
The examining committee is as follows:
 
Supervisor:                               Dereck Revington, University of Waterloo

Committee Members:                 Anne Bordeleau, University of Waterloo

                                                Tammy Gaber , Laurentian University

External Reader:                        Dr. Yvonne Lammerich         

The committee has been approved as authorized by the Graduate Studies Committee.
 

The Defence Examination will take place:  

Tuesday, December 10, 2013         11:30AM          Architecture Room 2026

A copy of the thesis is available for perusal in ARC 2106A.

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Sebastian Strobel

Of the thesis entitled: The Residue of Flight – Investigations into the Life of Matter

Abstract:

This thesis is a journey that unfolds alongside the transformations of a river during springtime. Moods and movements captured by Ted Hughes in his poem Stump Pool in April inspire a series of explorations that set out to express the affective vectors of the river’s becoming through sculpture and architecture.  The thesis is a manifestation of this search.
 
Arranged as a narrative in five chapters, each offers an account of the emergence of the five works. The first three are a sculptural response to each stanza of the poem: Prometheus manifest the river’s phase-shift from ice to water, Sky Burial from water to steam and Icarus the passage of steam rising towards the sun.  Prometheus’ torment, the tearing dispersal of the body during a funerary ritual and the ecstatic flight of Icarus are caught through three material and fire based experiments.  Chapter four reflects on these works while investigating the conception and construction of the Bruder Klaus Chapel by the renowned Swiss architect Peter Zumthor.  The fifth chapter moves the exploration from sculpture to architectural design deploying the lessons learned from the previous works.  Forces of descent rather than ascent now inform the creation of a torrential void, A Lover’s Enclosure.
 
The trajectory in each work and through the series is guided by what feels right, by the unpredictability of the material imagination, working by hand, forming and re-forming reoccurring themes as they reverberate and transform in a continuum of affective transformations.

 
The examining committee is as follows:
 
Supervisor:                               Dereck Revington, University of Waterloo

Committee Members:                 Andrew Levitt, University of Waterloo

                                                Ryszard Sliwka, University of Waterloo

External Reader:                        Bob Wiljer, Professor Emeritus, University of Waterloo     

The committee has been approved as authorized by the Graduate Studies Committee.

The Defence Examination will take place:  

Wednesday, December 11            10:00AM         Architecture Room 2026

A copy of the thesis is available for perusal in ARC 2106A.

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Andrea Hunniford

Of the thesis entitled: Shelf Space & Reading Room: A Spatial History of the New York Public Library

Abstract:

The New York Public Library's Central Building, constructed just over a century ago, is in the midst of a major renovation. The Library's trustees have asked the architects at Foster + Partners to imagine the space currently occupied by the research collections' closed book stacks as a new, publicly accessible, circulating library. The administration's public relations strategy glosses over the meaning of this architectural reinterpretation, selling the renovation plan with only carefully selected historical facts and opinions that show support for the project. However, this narrative is deceiving; it oversimplifies the issues at stake. Both the broader New York Public Library system and Central Library in particular have an incredibly complex history. The influences that shaped the decision to build the 42nd Street building, its design and construction, and subsequent adaptations over the past century demonstrate an important relationship between the objectives of the institution and the Central Library's architectural form. Therefore, beneath the rhetoric of the renovation, beyond the positive inclusion of a main circulating branch in the central building, lies the decision to remove a large portion of the circulating collection from the center of the stronghold built to house it. This decision undermines the unique structure of the New York Public Library as one of the world's premier research institutions, removing the heart of the building.

 
 
The examining committee is as follows:
 
Supervisor:                               Robert Jan Van Pelt, University of Waterloo

Committee Members:                 Anne Bordeleau, University of Waterloo

                                                Donald McKay , University of Waterloo

External Reader:                        Sascha Hastings, Cambridge Libraries and Galleries        

The committee has been approved as authorized by the Graduate Studies Committee.
 

The Defence Examination will take place:  

Friday, December 13, 2013      10:45AM         Architecture Room 3003

A copy of the thesis is available for perusal in ARC 2106A.

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Justin Breg

Of the thesis entitled: Ab Condita

Abstract:

Time and structure; expectation and construction; landscape and architecture; history and myth.
 
The foundation is a joint which carries extraordinary potential to speak of the cultures that built it.
This text tells stories about three cultures whose identities are interwoven with their foundation-building.  Tracing a path among the distinct ways in which they found, it values the foundation as a marker between anticipating and making in the architectural process; an ambiguous joint between land and building; an invisible structure of the surfaces we touch; and an indicator of an attitude towards time.

The narrative begins in Rome and concludes in the James Bay Lowlands of Northern Canada.  Both indigenous cultures represent extremes in notions of ‘foundation’: Rome’s tufa block substructures have borne buildings stratified over millennia; while the subarctic Omushkego Cree have traditionally had no permanent foundations, their building traces perceived in subtle differences of soil composition.  A third base in the Netherlands is both a fulcrum and foil, as the nation’s diverse local and large-scale strategies negotiate heavy and light building traditions, and offer another distinct set of considerations in preparing ground.

The aim of this book is two-fold.  Firstly, it is to restore the foundation to the purview of the architect.  Groundwork is more than a technical puzzle: it is also a deeply imaginative act.  Secondly, this text seeks to understand why cultures found the way they do, and to give consideration to the unique inheritances offered by diverse foundation-building traditions.
 
The examining committee is as follows:

Supervisor:

Committee members:

External reader:

Anne Bordeleau, University of Waterloo
 
Rick Haldenby, University of Waterloo 
Robert Jan Van Pelt, University of Waterloo
 
Dr. Dawn Martin-Hill, McMaster University