Portia’s Julius Caesar
Written by Kaitlyn Riordan
Directed by Sorouja Moll and Andy Houston
March 22 – 25, 7:30 p.m.
March 24 at 2 p.m.
Portia’s Julius Caesar
Written by Kaitlyn Riordan
Directed by Sorouja Moll and Andy Houston
March 22 – 25, 7:30 p.m.
March 24 at 2 p.m.
Portia’s Julius Caesar
Written by Kaitlyn Riordan
Directed by Sorouja Moll and Andy Houston
March 22 – 25, 7:30 p.m.
March 24 at 2 p.m.
Portia’s Julius Caesar
Written by Kaitlyn Riordan
Directed by Sorouja Moll and Andy Houston
March 22 – 25, 7:30 p.m.
March 24 at 2 p.m.
The starting point for the performance is an investigation of the stock market - traditionally a place where probability, ritual and intuition collide. Increasingly, it has become the domain of algorithmic approaches, where decisions are made at speeds far beyond human capacity to evaluate or intervene. Eventually the scope of the project will expand to include other aspects of contemporary capitalist culture where algorithms are having an increasingly deterministic effect, where algorithms approach mythic status and shape all manner of relationships, notions of value and thought.
Whenever Jack Worthing slips away to London from his Hertfordshire estate he says he is going to see his (fictitious) wayward brother “Ernest”. Once there he keeps his privacy by calling himself Ernest - luckily so, as his beloved Gwendolen declares she could only love a man with that name!
Whenever Jack Worthing slips away to London from his Hertfordshire estate he says he is going to see his (fictitious) wayward brother “Ernest”. Once there he keeps his privacy by calling himself Ernest - luckily so, as his beloved Gwendolen declares she could only love a man with that name!
Whenever Jack Worthing slips away to London from his Hertfordshire estate he says he is going to see his (fictitious) wayward brother “Ernest”. Once there he keeps his privacy by calling himself Ernest - luckily so, as his beloved Gwendolen declares she could only love a man with that name!
Rhinoceros
Rhinoceros