Office: HH 268
My research interests lie within the fields of postcolonial and transnational studies, and include the wide variety of literatures, issues, and critical perspectives that preoccupy that field, including gender and sexuality, nationalism, multiculturalism, and racialization. I have recently started work in a new area, Community-Based Research, through a collaborative oral history project with Sistering women’s drop-in centre in Toronto. My Ph.D. dissertation was an examination of theories of cultural creolization in the Caribbean and an evaluation of the gender politics of these theories. Within this context I proposed that Caribbean women’s writing and critical work offered an alternative articulation of creolization that took as its starting point a feminist politics and poetics of difference.
I have been with the Department of English Language and Literature since 2003. I have taught undergraduate courses in Academic Writing, Women in Literature, Global Literatures, Literary Criticism, Postcolonial Literatures, and Postcolonial Literatures of the Americas. My graduate courses focus on topics such as “Creolization and Hybridity in Postcolonial Studies,” “Caribbean Literature: Home, Exile, Diaspora,” “Gender in Postcolonial Literatures,” and “Social Justice and Representation in Canadian Literatures.”
“The Black Atlantic Meets the Black Pacific: Multimodality in Kamau Brathwaite and Wayde Compton.” Callaloo: Journal of African Diaspora Arts and Letters 37.2 (2014): 389-403.
“African Diaspora and Coalition: Multiracial Writing and Arts Activism in Canada.” Diasporas, Cultural Mobilities,‘Race’ 3: African Americans and the Black Diaspora. Ed. Corinne Duboin and Claudine Raynaud. Montpellier, France: Presses universitaires de la Méditerranée, 2016. 257-274.
Co-edited (with Leslie Sanders). Critical Perspectives on Dionne Brand. Special double issue of MaComère: Journal of the Association of Caribbean Women Writers and Scholars 14.1-2 (2013-14).
“‘She had made a beginning too’: Beka Lamb and the Caribbean Feminist Bildungsroman.” Genre: Forms of Discourse and Culture 44.2 (Summer 2011): 181-204.
“Indigenizing Sexuality and National Citizenship: Shyam Selvadurai’s Cinnamon Gardens.” ARIEL: A Review of International English Literature 40.2-3 (2009): 1-22.
“Mollies Down Under: Crossdressing and Australian Masculinity in Peter Carey’s True History of the Kelly Gang.” Journal of the History of Sexuality 18.2 (May 2009): 185-214.
“‘The Being Together of Strangers’: Dionne Brand’s Politics of Difference and the Limits of Multicultural Discourse.” Studies in Canadian Literature/Études en littérature canadienne 33.1 (2008): 272-290.
“‘Roots beyond roots’: Heteroglossia and feminist creolization in Myal and Crossing the Mangrove.” Small Axe: A Caribbean Journal of Criticism 12 (September 2002): 1-24.
“The Mohawk Warrior: Reappropriating the Colonial Stereotype.” Topia: A Canadian Journal of Cultural Studies 3 (Spring 2000): 58-80.
“Sexual Citizenship and Caribbean-Canadian Fiction: Dionne Brand's In Another Place, Not Here and Shani Mootoo’s Cereus Blooms at Night.” ARIEL 30.2 (1999): 141-160.
“‘Lords of the World’: Writing Gender and Imperialism on Northern Space in C.C. Vyvyan’s Arctic Adventure.” Studies in Canadian Literature/Études en littérature canadienne 23.1 (1998): 32-52.
“‘Imperfect Disclosures’: Cross-dressing and Containment in Charles Brockden Brown's Ormond” in Sex and Sexuality in Early America. Ed. Merril D. Smith. New York: NYUP, 1998. 240-261.
Grants, fellowships and awards
- Women’s College Hospital Xchange Grant, 2017-18
- UW/SSHRC Research Incentive Funding (4A status), 2012-13 and 2015-16
- UW/SSHRC Seed Grant 2009
- SSHRC Postdoctoral Fellowship 2001-03 (York University; OISE)
- Honorary Izaak Walton Killam Memorial Scholarship 1997-99
- SSHRC Doctoral Fellowship 1997-99
I am currently working on a book-length project, Coalition and Canadian Literature, which explores connections between literary collaboration, multiauthored texts, and critical race coalition. In 2017-18 I am starting a new community-based research project on women’s experiences in a low-barrier drop-in centre.
Areas of graduate supervision
- Postcolonial literatures and theory
- Caribbean literature
- Feminist theory
- Canadian literature
- Postcolonial queer studies