PhD, University of Cambridge
MA, University of Toronto
BA, University of Toronto
Office: HH 266
Sarah Tolmie is an Associate Professor who was trained as a medievalist at the University of Toronto and Cambridge. She teaches medieval and early modern literature, general British literature, and creative writing. Her research interests are in historiography, visionary poetry and embodiment. She has published articles on Middle English and Scots literature, as well as on Langland’s Piers Plowman.
She is also a fiction writer and poet, represented by Martha Millard at Sterling Lord Literistic. In 2016, she published a dual-novella collection called Two Travelers with Aqueduct Press; one story, “The Dancer on the Stairs,” will be reprinted in October 2017 in The Year’s Best Weird Fiction, ed. Helen Marshall. Forthcoming in spring 2018 is her second poetry collection, The Art of Dying, in MQUP’s McLennan Poetry Series. In 2015 McGill-Queen’s published her first full-length collection Trio; it was shortlisted for the Pat Lowther award that year. In 2014, her first novel The Stone Boatmen was published by Aqueduct; Ursula K. Le Guin blurbed it, and it was shortlisted for the Crawford Award. Later that year Aqueduct also put out her collection of satirical linked short stories, NoFood, and Baseline Press published a poetry chapbook, Sonnet in a Blue Dress. For information about readings and other events, please see her site: sarahtolmie.ca.
The Art of Dying, poetry collection, McGill-Queen’s UP, forthcoming 2018.
Two Travelers, novellas, Aqueduct Press, Seattle, 2016.
NoFood, short fiction, Aqueduct Press, Seattle, 2014
The Stone Boatmen, novel, Aqueduct Press, Seattle, 2014.
Sonnet in a Blue Dress and Other Poems, chapbook, Baseline Press, London, 2014.
Guest editor, with Randy Harris, of Metaphor and Symbol, special issue on Cognitive Allegory, 2011.
“The Book of the World as I Found It: Langland’s Piers Plowman and Wittgenstein’s Tractatus Logico-Philosophicus,” Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 20.4 (2008).
“Langland, Wittgenstein and the Language Game,” Yearbook of Langland Studies 22 (2008).
"The Professional: Thomas Hoccleve,” Studies in the Age of Chaucer 29 (2007): 341-73.
"Sacrilege, Sacrifice and John Barbour’s Bruce,” International Review of Scottish Studies 32 (2007): 7-32.
"Langland, Wittgenstein and the End of Language,” Yearbook of Langland Studies 20 (2006): 115-39.
"The Priue Scilence of Thomas Hoccleve,” Studies in the Age of Chaucer 22 (2000): 281-309.
Fellowships & Awards
- 2015. Canada Council, Mid-Career Writer's Grant for the novel The Little Animals
- 2014. Ontario Arts Council, In-Progress Grant for the novel The Little Animals
- 2014. University of Utrecht, Descartes Centre for the History of Science, Junior Fellowship
- 2012 Ontario Arts Council In-Progress grant for the sonnet sequence Trio.
- 2010-12. Lois Claxton/Robert Hardyng Award, The Salvation Suit.
- 2010-11. SSHRCC Research-Creation Grant, The Salvation Suit, 4A
- 2009-10. SSHRCC Research-Development Grant, The Salvation Suit, 4A
- 2008. Grain Prize, Dramatic Monologue
- 2007. UW Travel Grant
I have just completed a novel about the natural philosopher and microscopist Antoni Van Leeuwenhoek. The Descartes Centre for the History and Philosophy of Science in Utrecht hosted me as a fellow for two months in 2015 in connection with this project, for which I am extremely grateful. I will be back in Utrecht this summer in 2017 doing some research on James Boswell’s life in law school in the city; I am also writing a book about the 15th-century poet Thomas Hoccleve.
Areas of Graduate Supervision
- Middle English literature and historiography
- Middle Scots literature and historiography
- Premodern theory of mind and embodiment
- Creative writing
- Cognitive poetics