Office: SJU 3002
I’m originally from Hamilton, and I did my BA and MA at McMaster, majoring in English with a minor concentration in Religious Studies for both degrees. As an undergraduate I fell in love with medieval literature, especially Old English, and had already long been more than half in love with Romantic poetry, so I decided to do one graduate degree on each. My MA thesis was on the medieval dream visions “Dream of the Rood” and “Pearl”. I received a Commonwealth Scholarship and continued to live in the mystical past by pursuing my PhD at King's College, Cambridge, where I was an acolyte in the beautiful Gothic chapel. I wrote my dissertation on William Blake’s central image, the human body. My preoccupation with the strange ways Blake’s mythological characters come into being, and his idiosyncratic treatment of musculature and posture in his visual art, led me to explore medical contexts: eighteenth-century midwifery writing and medical illustration. This area has been a rich vein for my research ever since, as I have pursued representations of reproduction in women’s poetry and medical texts, and gender and sexuality in Blake, most recently branching out (so to speak) into the sex lives of plants in the work of Erasmus Darwin (whose Botanic Garden Blake illustrated).
Before coming to Waterloo in 2004, I was Assistant Professor at Butler University in Indiana, and before that, Instructor at Auburn University in Alabama. I taught a range of literature and writing courses, and enjoyed the opportunity to include a broad range of texts, from the Vedas to The Getaway. At St Jerome’s I’m delighted to continue to teach a wide variety of material in courses such as The Superhero, Sex and Marriage in Literature, and Editing Literary Works, as well as Literature of the Romantic Period. I’ve taught graduate courses, ‘Blake’s Bodies’ and ‘Romantic Reproduction’, am on the Eighteenth and Nineteenth Century graduate examination committees, and supervise graduate students working on Romantic-era texts and/or the relations between gender, sexuality, medicine, and writing. I also get to indulge my love of Canadian literature here, as I’m a poetry editor for The New Quarterly, and I co-organize the Canada Council-funded Reading Series at St. Jerome’s.
Canadian Music and American Culture: Get Away From Me, co-edited with Tomoyuki Iino. Pop Music, Culture and Identity series. Palgrave Macmillan, 2017.
British Romanticism in European Perspective: Into the Eurozone, co-edited with Steve Clark. Basingstoke: Palgrave Macmillan, 2015.
Sexy Blake, co-edited with Helen P. Bruder. Basingstoke: Palgrave Macmillan, 2013.
Blake, Gender and Culture, co-edited with Helen P. Bruder. The Body, Gender and Culture series. London: Pickering & Chatto, 2012.
Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture, co-edited with Steve Clark and Jason Whittaker. Basingstoke: Palgrave Macmillan, 2012.
Spectacular Death: Interdisciplinary Perspectives on Mortality and (Un)representability. Culture, Disease, and Well-Being: The Grey Zone of Health and Illness series. Bristol: Intellect, 2011.
Queer Blake, co-edited with Helen P. Bruder. Basingstoke: Palgrave Macmillan, 2010.
Liberating Medicine, 1720-1835, co-edited with Steve Clark. The Enlightenment World series. London: Pickering & Chatto, 2009.
William Blake and the Body. Basingstoke: Palgrave Macmillan, 2002.
‘“Mean, Mean Pride”: Rush’s Critique of American Cool’. Canadian Music and American Culture: Get Away From Me
“Flowery Porn: Form and Desire in Erasmus Darwin’s The Loves of the Plants“. Special issue on Romantic Evolutions ed. Joshua D. Lambier. Literature Compass 13.10 (2016): 604-16.
“‘Mistaken for Natives of the Soil’: Translation and Erasmus Darwin’s Loves of the Plants” British Romanticism in European Perspective, 133-54.
“‘His Stormy Bed’: Blake, Sex and Electricity” Romantic Bodyscapes: Embodied Selves, Embodied Spaces and Legible Bodies in the Romantic Age ed. Gerold Sedlmayr. Studien zur Englischen Romantikseries. Trier: Wissenschaftlicher Verlag Trier, 2015. 55-78.
“‘Diverse Little Pictures’: Erasmus Darwin’s Loves of the Plants and Isabella Rosselini’s Green Porno as Interactive Media”. Poetica 79 (2013): 57-73.
“‘He Took a Face from the Ancient Gallery’: Blake and Jim Morrison” Blake 2.0, 230-47.
“‘Nourishd with milk ye serpents’: Blake, Infant Nursing and Family Bonds” A Firm Perswasion: Essays in British Romanticism ed. Hatsuko Niimi and Masashi Suzuki. Tokyo: Sairyusha, 2012. 353-80.
“‘Mother of Unworthy Woe’: Infant Death and Sentimental Maternity in British Romantic Women’s Poetry and Midwifery Books” Spectacular Death, 77-96.
“‘Fear not / To unfold your dark visions of torment’: Blake and Emin’s Bad Sex Aesthetic” Queer Blake, 116-39.
“Anna Barbauld’s ‘To a Little Invisible Being…’: Maternity in Poetry and Medicine” Liberating Medicine, 209-24.
“Strange Births in the Canadian Wilderness: Atwood’s Surfacing and Cronenberg’s The Brood” The Journal of American and Canadian Studies 28 (2010): 69-90.
“Transgender Juvenilia: Blake’s and Cristall’s Poetical Sketches” Women Reading William Blake, ed. Helen Bruder. Basingstoke: Palgrave Macmillan, 2007. 26-34.
“‘The Authority of the Ancients’: Blake and Wilkins’ Translation of the Bhagavad Gita” The Reception of Blake in the Orient, ed. Masashi Suzuki and Steve Clark. London: Continuum, 2006. 145-58.
Fellowships & Awards
- Corresponding Fellowship, The English Society, 2016-
- University of Manchester Research Networking Fund Grant for international collaboration in Tokyo on Eighteenth-Century Literature and Medicine, 2013
- Distinguished Teacher Award, University of Waterloo, 2010
- Visiting Fellow, Institute of American and Canadian Studies, Sophia University, Tokyo, 2009-
- Canadian Institutes of human Resources (CIHR) Operating Grant, "City Life and Well-Being: The Grey Zone of Health and Illness". Co-investigator, researching "Midwifery and Collective Representations of the Reproductive Body". Primary investigator: Alan Blum. Project based at uWaterloo. 2006-2011.
- Government of Canada Department of Foreign Affairs Cultural Personalities Exchange Program grant for lecture tour of Japan. 2006.
- St. Jerome's University Faculty Research Grant. 2005.
- Butler University Awards Committee Faculty Fellowship. 2005.
- Social Sciences and Humanities Research Council (SSHRC) Doctoral Fellowship. 1998-1999.
- Imperial Older Daughters of the Empire (IODE) War Memorial Postgraduate Scholarship. 1998-1999.
- Commonwealth Scholarship. 1995-1998.
- SSHRC Doctoral Fellowship 1995-1997. (declined due to Commonwealth Scholarship)
- Ontario Graduate Scholarship. 1993-1994.
- Henry Lyman Hooker Senior Fellowship, McMaster University. 1993-1994.
- Centennial Entrance Scholarship, McMaster University. 1993-1994.
For a while now, much of my work has involved editing. I have been co-editing a number of essay collections with colleagues in the United Kingdom and Japan, on a variety of topics related to Romantic literature. I am also creating a critical edition of Erasmus Darwin’s The Loves of the Plants in collaboration with former graduate students Elizabeth Bernath and Alana Rigby. Delving into popular culture for Blake 2.0 led me and my co-editors to launch a book series, Pop Music, Culture and Identity. The co-edited essay collection on Canadian music, a contribution to that series, had its origins in a symposium I co-organized at the Institute for Canadian and American Studies at Sophia University in Tokyo, where I am a Visiting Fellow. I often travel to Japan to lecture and collaborate on projects on British and Canadian literature and culture. But my work always comes home to Blake. Right now, my to-do list begins and ends with finishing work on a volume co-edited with Helen Bruder entitled Beastly Blake.
Areas of Graduate Supervision
- British Romantic literature and culture (especially poetry)
- William Blake
- Erasmus Darwin
- Gender and sexuality
- Medical writing and illustration
- Literature and science
- Religion and literature