Classical music

CANCELLED.  SORRY FOR THE INCONVENIENCE.

Sergei Prokofiev wrote the story and composed the music for Peter and the Wolf in 1936. It was written in two weeks for a children's theatre in Moscow. He wrote the music as a child's introduction to the orchestra with each character being represented by an instrument or group of instruments. Peter and the Wolf was an immediate success and continues to be enjoyed today by children all over the world.

For Peter and the Wolf, The KW Woodwind Quintet will be joined by narrator by Mark Vuorinen. In addition, the quintet will perform Mozart's Variations on Ah! Vous dirai-je, Maman (known to many as Twinkle, Twinkle, Little Star) and and excerpt of Mozart's Horn Concerto in F, played on a garden hose.

Wendy Wagler (flute), Sarah Cardwell (oboe), Barbara Hankins (clarinet), Heather Carruthers (bassoon), Trevor Wagler (horn).  Suitable for all ages, perfect for a March Break event.

The name Paganini conjures as much myth as history for musicians and violinists.  Portraits reveal a gaunt, ghostly man, and much of the music he composed asks for seemingly impossible feats of time and distance.  Join violinist Benjamin Sung for a performance of Paganini's Opus 1: the 24 Caprices for violin solo.  Taken together, these works are a testament to the potential of human achievement - in creativity, in expression, in technique, and in art. 

  Bass Daniel Lichti, tenor James McLean, and pianist Anna Ronai are well known to local audiences.  Their program includes duets by Mendelssohn, Schumann, Balfe and Rossini.

Timeless chant, Spanish Renaissance music, and prayer in the austere beauty of Keffer Chapel at Martin Luther University College. Presented by Schola Musica Sacra, which includes UWaterloo and WLU students.

Martin Luther University College is on the Wilfrid Laurier Campus, at the corner of Bricker Ave and Albert St. 
The entrance is off Albert Street.  The parking lot is available.  Free.

Dr. Darryl Friesen has been praised for his “rich palette of tonal colour” and performances of “intimate, poignant simplicity” (Winnipeg Free Press, 2008).