Wednesday, October 31, 2018 12:30 pm
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12:30 pm
EDT (GMT -04:00)
Noon Hour Concert: Harp & Song
Harpist Lori Gemmell and tenor James McLean will perform a selection of classical music. This concert features French songs by Debussy, Faure and Tournier, British Folk songs by Benjamin Britten, and Glen Buhr's setting of Tolkien's epic Tale of Tinuviel.
The KW Woodwind Quintet has chosen a program of delightful music by French composers to showcase the "jolie vent" that wind instruments create. The concert will include Ravel's Tombeau de Couperin, Debussy's Children's Corner, Bozza's Scherzo, and Bizet's Carmen Fantasie. Bienvenue à notre concert!
Join Bill Randall in considering the many respects in which aging is an inherently spiritual process—not religious necessarily, but spiritual (broadly defined). Despite prevailing perceptions of aging as a matter of inevitable decline, the challenges and changes that come with it can be experienced as Nature’s way of nudging us into the adventure of truly growing old (versus just getting old)—growing in insight, understanding, and compassion.
Join the Grebel community for a special "Fill the Table" capital campaign launch event. You'll be able to see the updated building plans that will enhance and expand our kitchen and dining room facilities. The short program will feature a few words from the architects, the board, the fundraising team, and students on the details and significance of this project. We'll also share exciting news on our fundraising progress and provide updates on opportunities to get involved!
Come explore the intersections between spirituality and narrative, and between narrative and aging, focusing on both the unique developmental tasks of later life, and the challenges aging poses to our stories. In the afternoon, speaker Bill Randall will introduce the sacred art of story listening and prepare participants to provide narrative care.
Conrad Grebel University College and Mennonite Central Committee Ontario are excited to be hosting 
Gamelan is the traditional ensemble music of Java and Bali in Indonesia, made up predominantly of percussive instruments. It is taught without notation, which means the students have to memorize their parts. Directed by artist-in-residence I Dewa Made Suparta, the group plays both traditional Balinese music and modern compositions.
While the term “empire” has come to have strong political connotations, an archaic use of the word simply means to hold absolute power over something or someone. Few who listen to or participate in music could deny its empire!