International

The Centre for International Governance Innovation (CIGI), in partnership with Wilfrid Laurier University, Conrad Grebel University College and Global Peace Centre Canada, is pleased to present a lecture and discussion with Pakistani diplomat Ziauddin Yousafzai. 

After identity

Can Mennonite literature move beyond its longstanding preoccupation with cultural identity?

Join editor Robert Zacharias and contributors Hildi Froese Tiessen, Paul Tiessen, Julia Spicher Kasdorf, Ann Hostetler, Jeff Gundy, and Royden Loewen for an evening of conversation.

On the island of Bali, Indonesia the idea of community and the spirit of interaction are highly valued and extend to music-making. Being an aural/oral tradition, repertoire—from ritual pieces to modern compositions, instrumental or dance—is learned through imitation and repetition, by listening and watching (i.e., without the use of notation). Students experience this communal process of creating a unified sound on a gamelan semara dana (one of several types of gamelan found in Bali) consisting of gongs, metallophones, drums, and flutes.

Reaching out: a unique exploration of cross-cultural and inter-cultural community song.  The University choir will sing works from within our own community, originating in Estonia, Iran, Senegal, New Zealand, and Bali. Join us for a unique choral experience.
University Choir

UWaterloo Balinese Gamelan and Grebel Community Gamelan with                        Balinese Artist-in-Residence I Dewa Made Suparta  

On the island of Bali, Indonesia there is a plethora of musical ensembles called gamelan, the local term for a set of instruments made primarily of bronze or bamboo. The UWaterloo Department of Music at Conrad Grebel University College is home to a gamelan semara dana consisting of bronze gongs and metallophones, drums, and bamboo flutes. 

Canadian tenor Colin Ainsworth has distinguished himself with his exceptional singing, remarkable diction, and diverse repertoire stretching from the Baroque to modern music.  He very recently played Renaud in Opera Atelier's Armide, on stage in Versaille.  For this concert he will be accompanied by William Aide on the piano.  William Aide is a very well known Canadian pianist, known for both his solo work and as an accompanist.  He is also a member of the Order of Canada.

This is the final of the "68" Haydn String Quartet concerts. The title refers to the 68 string quartets that Haydn wrote over the course of his life. Each exhibits its own unique characteristics and compositional techniques. The members of the Attacca Quartet have been so captivated by these works that it felt only natural to feature a number of Haydn string quartets as an entire program, as opposed to the usual tradition of hearing only one as a concert opener.

Franz Joseph Haydn
Op 54, No 3
Op 76, No 5